Frédéric Chopin, Hsiang Tu's 'Piano Sonata No. 2 in B-Flat Minor, Op. 35: I. Grave - Doppio movimento' came out on March 29, 2024. Since Piano Sonata No. 2 in B-Flat Minor, Op. 35: I. Grave - Doppio movimento is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 26 out of 28 in Chopin: 24 Preludes Op. 28, Prelude Op. 45, Sonata No. 2, Op. 35 by Frédéric Chopin, Hsiang Tu. Going off of the ISRC code of this track, we detected that the origin of this track is from Italy. Based on our statistics, Piano Sonata No. 2 in B-Flat Minor, Op. 35: I. Grave - Doppio movimento's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Piano Sonata No. 2 in B-Flat Minor, Op. 35: I. Grave - Doppio movimento by Frédéric Chopin, Hsiang Tu is Allegro (fast, quick, and bright), since this song has a tempo of 142 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonatina in G Major, Op. 36 No. 2: II. Allegretto | Muzio Clementi, Howard Shelley | E Minor | 1 | 9A | 104 BPM | ||
Sonatina in C Major, Op. 36 No. 3: III. Allegro | Muzio Clementi, Howard Shelley | G Major | 1 | 9B | 76 BPM | ||
Piano Concerto in G Major, M. 83: II. Adagio assai (3) | Maurice Ravel, Klára Würtz, Janacek Philharmonic Orchestra, Theodore Kuchar | F♯ Minor | 1 | 11A | 90 BPM | ||
Fantasia in C Minor, K. 396 - Welte-Mignon 1843 | Wolfgang Amadeus Mozart, Peter Phillips, Edwin Fischer | C Minor | 1 | 5A | 134 BPM | ||
Polonaise No. 1 in C-Sharp Minor, Op. 26, No. 1 | Frédéric Chopin, Ivan Moravec | A♭ Major | 0 | 4B | 69 BPM | ||
12 Études, Op. 10: No. 7 in C Major "Toccata" | Frédéric Chopin, Yunchan Lim | A♭ Major | 2 | 4B | 75 BPM | ||
Nocturne No. 7 in C-Sharp Minor, Op. 74 (1898) | Brad Mehldau | E♭ Major | 0 | 5B | 63 BPM | ||
Bach, JS: Gottes Zeit ist die allerbeste Zeit, BWV 106 "Actus Tragicus": No. 2, Chöre, Arioso und Aria. "Gottes Zeit ist die allerbeste Zeit" (Arr. Kurtág for Piano 4-Hands) | Johann Sebastian Bach, Alexandre Tharaud, David Fray | B Minor | 0 | 10A | 111 BPM | ||
Preludes, Op. 23: No. 3 in D Minor - Welte-Mignon 3033 | Sergei Rachmaninoff, Josef Hofmann, Peter Phillips | B♭ Major | 2 | 6B | 123 BPM | ||
Silk and Stone | Marco Risolino, Ludovico Leone | B♭ Major | 0 | 6B | 101 BPM |
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