Don Giovanni, K. 527, Act II Scene 1: A taci, ingiusto core! (Donna Elvira, Leporello, Don Giovanni) - Wolfgang Amadeus Mozart, Carol Vaness, Riccardo Muti, Samuel Ramey, Wiener Philharmoniker, William Shimell Information

Acousticness: 98%
Danceability: 21%
Energy: 14%
Instrumentalness: 0%
Liveness: 14%
Loudness: 60%
Speechiness: 5%
Valence: 19%
Popularity: 12%
Loudness: -24.232 dB

Summary

"Don Giovanni, K. 527, Act II Scene 1: A taci, ingiusto core! (Donna Elvira, Leporello, Don Giovanni)" by Wolfgang Amadeus Mozart, Carol Vaness, Riccardo Muti, Samuel Ramey, Wiener Philharmoniker, William Shimell was released on October 11, 1991. With this song being about 5 minutes long, at 4:40, "Don Giovanni, K. 527, Act II Scene 1: A taci, ingiusto core! (Donna Elvira, Leporello, Don Giovanni)" by Wolfgang Amadeus Mozart, Carol Vaness, Riccardo Muti, Samuel Ramey, Wiener Philharmoniker, William Shimell is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 41 out of 70 in Don Giovanni by Wolfgang Amadeus Mozart, Wiener Philharmoniker, Riccardo Muti. Don Giovanni, K. 527, Act II Scene 1: A taci, ingiusto core! (Donna Elvira, Leporello, Don Giovanni) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Don Giovanni, K. 527, Act II Scene 1: A taci, ingiusto core! (Donna Elvira, Leporello, Don Giovanni) BPM

The tempo marking of Don Giovanni, K. 527, Act II Scene 1: A taci, ingiusto core! (Donna Elvira, Leporello, Don Giovanni) by Wolfgang Amadeus Mozart, Carol Vaness, Riccardo Muti, Samuel Ramey, Wiener Philharmoniker, William Shimell is Andante (at a walking pace), since this song has a tempo of 83 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Don Giovanni, K. 527, Act II Scene 1: A taci, ingiusto core! (Donna Elvira, Leporello, Don Giovanni) Key

The music key of this track is A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Ouverture in D Major, "Darmstadt": Harlequinade	Georg Philipp Telemann, Cologne Chamber Orchestra, Helmut Muller-Bruhl	D♭ Major	1	3B	174 BPM
Serenade No. 2 in A Major, Op. 16: 2. Scherzo. Vivace	Johannes Brahms, Royal Concertgebouw Orchestra, Bernard Haitink	A Major	1	11B	179 BPM
6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74]	Franz Liszt, Joseph Banowetz	G Minor	0	6A	96 BPM
Lacrimosa (Arr. Piano)	Music Lab Collective	D Minor	0	7A	96 BPM
Serenade for Strings in C major, Op. 48: II. Walzer: Moderato, tempo di valse	Pyotr Ilyich Tchaikovsky, Moscow Soloists, Yuri Bashmet	G Major	1	9B	66 BPM
Concerto for Strings in A Minor, RV 161: I. Allegro	Antonio Vivaldi, Accademia I Filarmonici, Alberto Martini	B♭ Major	5	6B	124 BPM
Cello Concerto No. 1 in A Minor, Op. 33: I. Allegro non troppo	Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra	F Major	2	7B	131 BPM
Carnaval, Op. 9: XII. Chopin	Robert Schumann, Daniil Trifonov	E Major	0	12B	68 BPM
Keyboard Sonatina In C Major, Op. 36, No. 3: II. Un Poco Adagio	Muzio Clementi, Balazs Szokolay	G Major	0	9B	170 BPM
Cello Concerto No. 1 in G Major: II. Romance: Andantino	Carl Stamitz, Christian Benda, Prague Chamber Orchestra	B♭ Major	0	6B	91 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.7967181205749512

End: 0.8017065525054932