"Benedictus à 3" by La Capella Reial De Catalunya, Hespèrion XXI, Jordi Savall, Sergi Casademunt, Fahmi Alqhai was released on 2012. The duration of Benedictus à 3 is about two minutes long, specifically at 2:28. This song does not appear to have any foul language. Benedictus à 3's duration is considered a little bit shorter than the average duration of a typical track. The song is number 11 out of 91 in Erasmus - Lof der zotheid (Nederlandse versie) by La Capella Reial De Catalunya, Hespèrion XXI, Jordi Savall. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Benedictus à 3 is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Benedictus à 3 by La Capella Reial De Catalunya, Hespèrion XXI, Jordi Savall, Sergi Casademunt, Fahmi Alqhai is Andante (at a walking pace), since this song has a tempo of 97 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Third Dirge Anthem: I Heard a Voice from Heaven | Thomas Morley, Vox Luminis, Lionel Meunier, Les Trompettes des Plaisirs, Jean-François Madeuf | A♭ Minor | 0 | 1A | 133 BPM | ||
Lamentations of Jeremiah I - Ed. Philip Brett | Thomas Tallis, Choir of King's College, Cambridge, Stephen Cleobury | D Minor | 1 | 7A | 77 BPM | ||
Byrd: Ye Sacred Muses | William Byrd, David James, London Baroque | B Major | 0 | 1B | 85 BPM | ||
Gesproken tekst LXVI (23): "Betrekkingen van de christelijke godsdienst met de Zotheid" / Muziek: Patres nostri peccaverunt (C. M. Montecassino No. 2) | Maike Boerdam, La Capella Reial De Catalunya, Hespèrion XXI | C Major | 2 | 8B | 82 BPM | ||
Gesproken tekst XXIX (18): "Zij eist de lauwerkrans van het verstand voor zichzelf op" / Muziek: Las Vacas (Harp) | La Capella Reial De Catalunya, Hespèrion XXI, Maike Boerdam, Andrew Lawrence-King | C Major | 2 | 8B | 96 BPM | ||
Suite in D Minor: IV. Canaries | Vieux Gaultier, Hopkinson Smith | C Minor | 1 | 5A | 65 BPM | ||
Adue Sweet Love | Tobias Hume, Labyrinto, Paolo Pandolfo | D♭ Minor | 0 | 12A | 110 BPM | ||
Jubilate Deo | Cristobal de Morales, Stile Antico | B♭ Minor | 2 | 3A | 88 BPM | ||
Prelude, P. 98 | John Dowland, Nigel North | F Minor | 1 | 4A | 68 BPM | ||
Allemande 4 - 1557 | Claude Gervaise, Ensemble Doulce Mémoire | G Minor | 2 | 6A | 117 BPM |
Section: 0.9971315860748291
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