"Requiem (Version for Choir, Cello, Percussion & Organ): VI. Agnus Dei" by Matthew Coleridge, RSVP Voices, Guy Johnston, Stephen Farr, Unknown Artist, Rob Johnston was released on March 20, 2020. With this song being around four minutes long, at 3:59, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Matthew Coleridge, RSVP Voices, Guy Johnston, Stephen Farr, Rob Johnston's "Matthew Coleridge: Requiem" album is number 6 out of 7. On top of that, United Kingdom appears to be the country where this track was created. Requiem (Version for Choir, Cello, Percussion & Organ): VI. Agnus Dei is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Requiem (Version for Choir, Cello, Percussion & Organ): VI. Agnus Dei by Matthew Coleridge, RSVP Voices, Guy Johnston, Stephen Farr, Unknown Artist, Rob Johnston to be Larghetto (rather broadly) because the track has a tempo of 66 BPM, a half-time of 33BPM, and a double-time of 132 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Urlicht | Gustav Mahler, Clytus Gottwald, Collegium Vocale Hannover, Florian Lohmann | D♭ Major | 0 | 3B | 138 BPM | ||
Petite messe solennelle: VIII. Gloria. Qui tollis | Gioachino Rossini, Giulio Prandi, Sandrine Piau, José Maria Lo Monaco, Francesco Corti, Deniel Perer | A Minor | 1 | 8A | 83 BPM | ||
Missa pro Defunctis in E-Flat Major, HocJ A1.3: VIII. Communio, 2. Requiem aeternam | Niccolò Jommelli, Miriam Feuersinger, Il Gardellino, Gaia Petrone, Peter Van Heyghen | A Major | 0 | 11B | 87 BPM | ||
Missa Praeter rerum seriem: I. Kyrie | George de La Hèle, El León de Oro, Peter Phillips | A♭ Minor | 2 | 1A | 83 BPM | ||
3 Sechsstimmige Chöre, Op. 39: No. 2, Abendlied | Max Reger, Bundesjugendchor, Anne Kohler | E Major | 1 | 12B | 139 BPM | ||
Requiem, Op. 48: II. Kyrie | Gabriel Fauré, Laurence Equilbey, Accentus, Orchestre National De France | B♭ Major | 1 | 6B | 65 BPM | ||
Messe a 3 voix (Mass in 3 voices), Op. 12, M. 61: Kyrie | César Franck, Mariann Bódi, Atilla Wendler, Istvan Racz (bass), Dezső Karasszon, Andrea Kocsis, Zsolt Molnár, Ferenc Nagy, Debrecen Kodály Choir, Salamon Kamp | A Major | 0 | 11B | 65 BPM | ||
Ave Regina caelorum | Kenneth Tay, University of Glasgow Chapel Choir, Katy Lavinia Cooper | A Major | 1 | 11B | 80 BPM | ||
The Mass: Benedictus | Patrick Cassidy, Laude, David Harris, Christoph Bull | E♭ Major | 2 | 5B | 101 BPM | ||
Missa Deus nobiscum (Version for Soprano, Choir & Orchestra): III. Domine Deus | Philip Stopford, Choir of St Luke's, Chelsea, Chelsea Camerata, Jeremy Summerly | B♭ Major | 2 | 6B | 70 BPM |
Section: 0.6837754249572754
End: 0.6890997886657715