Thorvald Hansen, Håkan Hardenberger, Roland Pöntinen's 'Sonata for Cornet and Piano in E flat, Op. 18: 1. Allegro con brio' came out on December 1, 1989. The duration of Sonata for Cornet and Piano in E flat, Op. 18: 1. Allegro con brio is about 3 minutes long, at 3:00. Based on our data, "Sonata for Cornet and Piano in E flat, Op. 18: 1. Allegro con brio" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Håkan Hardenberger, Roland Pöntinen's "Mysteries of the Macabre" album is number 1 out of 11. On top of that, Netherlands appears to be the country where this track was created. Sonata for Cornet and Piano in E flat, Op. 18: 1. Allegro con brio is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Sonata for Cornet and Piano in E flat, Op. 18: 1. Allegro con brio by Thorvald Hansen, Håkan Hardenberger, Roland Pöntinen to be Andante (at a walking pace) because the track has a tempo of 77 BPM, a half-time of 38BPM, and a double-time of 154 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Willisabethan Sarahnade: Agia Galini | Klaus Wallendorf, Sarah Willis, Kotowa Machida, Philip Mayers | A♭ Major | 1 | 4B | 85 BPM | ||
Voices Sing of Immortality (arr. for brass ensemble by Jarle Storløkken) | Ethel Smyth, tenThing, Tine Thing Helseth | A Minor | 0 | 8A | 66 BPM | ||
Hassan, DCW 8, Act 5 Scene 2: Prelude to the last scene. With flowing movement | Frederick Delius, Britten Sinfonia Voices, Britten Sinfonia, Jamie Phillips | C Major | 0 | 8B | 84 BPM | ||
Impromptu for Solo Tuba: I. Allegro con moto | Joseph Bartz | F Minor | 0 | 4A | 72 BPM | ||
4 Pictures from New York (Version for Saxophone & Piano): No. 2, Tango Club | Roberto Molinelli, Otis Murphy, Haruko Murphy | A Minor | 2 | 8A | 145 BPM | ||
Musiikkia Sanomalehdiston paivien juhlanaytantoon (Press Celebrations Music), JS 137: I. Preludio | Jean Sibelius, Lahti Symphony Orchestra, Osmo Vänskä | G Major | 1 | 9B | 88 BPM | ||
French Quadrilogy: No. 1, The Girl on a Flaxen Horse | Aivars Kalējs, Trio NYX | D♭ Major | 2 | 3B | 151 BPM | ||
Six Studies in English Folksong | Gene Pokorny | E♭ Major | 0 | 5B | 70 BPM | ||
A Duet For Our Time: Of Chaos | Columbus State University Trombone Ensemble, Bill Thomas, George Curran | B♭ Major | 3 | 6B | 146 BPM | ||
Turandot: Nessun dorma | Giacomo Puccini, Szeged Trombone Ensemble, György Gyivicsan, Peter Steiner | B Major | 0 | 1B | 109 BPM |
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