"J.S. Bach: Nun komm, der Heiden Heiland, BWV 659 (Transcr. for Piano By Ferruccio Busoni)" by Johann Sebastian Bach, Vladimir Horowitz was released on March 8, 2020. With this song being about 5 minutes long, at 4:59, "J.S. Bach: Nun komm, der Heiden Heiland, BWV 659 (Transcr. for Piano By Ferruccio Busoni)" by Johann Sebastian Bach, Vladimir Horowitz is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 4 out of 34 in Bach Piano by Johann Sebastian Bach. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. J.S. Bach: Nun komm, der Heiden Heiland, BWV 659 (Transcr. for Piano By Ferruccio Busoni) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of J.S. Bach: Nun komm, der Heiden Heiland, BWV 659 (Transcr. for Piano By Ferruccio Busoni) by Johann Sebastian Bach, Vladimir Horowitz is Adagio (slowly with great expression), since this song has a tempo of 71 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Beau Soir, L. 6 | Claude Debussy, Janine Jansen, Itamar Golan | F♯ Minor | 0 | 11A | 88 BPM | ||
Concerto for three violins BWV 1064R in D Major: Concerto for three violins BWV 1064R in D Major: I. | Johann Sebastian Bach, Freiburger Barockorchester, Gottfried Von Der Goltz, Anne-Katharina Schreiber, Petra Mullejans | D♭ Major | 3 | 3B | 96 BPM | ||
Allegro molto in C Minor | Fanny Mendelssohn, Heather Schmidt | F Minor | 2 | 4A | 79 BPM | ||
Carmen Variations | Vladimir Horowitz | E Major | 2 | 12B | 148 BPM | ||
3 Pieces, Op. 2: No. 1 in C-Sharp Minor | Alexander Scriabin, Garrick Ohlsson | D♭ Minor | 0 | 12A | 128 BPM | ||
Piano Sonata No. 10 in C Major, K. 330: II. Andante cantabile | Wolfgang Amadeus Mozart, Vladimir Horowitz | D Major | 1 | 10B | 128 BPM | ||
Lyric Pieces Book IV, Op. 47: No. 3 Melodie | Edvard Grieg, Emil Gilels | D Minor | 0 | 7A | 73 BPM | ||
Orfeo ed Euridice, Act II Scene 2: Ballet Music, "Reigen der seligen Geister" (arr. W. Kempff): Orpheus and Eurydice: Ballet Music - Reigen der seligen Geister (trans. W. Kempff) | Wilhelm Kempff, Christoph Willibald Gluck, Idil Biret | F Major | 0 | 7B | 81 BPM | ||
Concerto In F Major, F Dur BWV978, After Antonio Vivaldi: Allegro | Arts Music Recording, Rotterdam, Pieter Dirksen, Johann Sebastian Bach | B♭ Major | 4 | 6B | 129 BPM | ||
Lyric Pieces Book V, Op. 54: No. 4 Notturno | Edvard Grieg, Alice Sara Ott | D Major | 2 | 10B | 121 BPM |
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