Matteo Carcassi, Lucio Matarazzo's 'Carcassi Op.26 N.2 Vivace' came out on March 16, 2012. With Carcassi Op.26 N.2 Vivace being less than two minutes long, at 1:09, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Matteo Carcassi, Lucio Matarazzo's "Matteo carcassi: 25 etudes mélodiques progressives op. 60 - 6 caprices op.26" album is number 11 out of 31. Based on our statistics, Carcassi Op.26 N.2 Vivace's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Carcassi Op.26 N.2 Vivace by Matteo Carcassi, Lucio Matarazzo to be Allegro (fast, quick, and bright) because the track has a tempo of 142 BPM, a half-time of 71BPM, and a double-time of 284 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Caprice Variations for Unaccompanied Violin: Variation 6 - Poco allegretto ma con rubato - arr. for solo guitar by Eliot Fisk | George Rochberg, Eliot Fisk | B♭ Major | 1 | 6B | 91 BPM | ||
Les guitares bien temperees (The Well-Tempered Guitars): Preludes and Fugues, Op. 199: Prelude No. 5 in B Minor | Mario Castelnuovo-Tedesco, Brasil Guitar Duo | A Minor | 0 | 8A | 97 BPM | ||
Cinco Bagatelas: IV. Sempre expressivo | William Walton, Gabriele Leite | A Major | 1 | 11B | 77 BPM | ||
The Postman Is Dead (Arr. R. Dyens for Guitar) | Manos Hadjidakis, Elena Papandreou | E Minor | 0 | 9A | 74 BPM | ||
Preludio: Pensando a Fauré | Maurizio Baudino | B Minor | 0 | 10A | 73 BPM | ||
Ojos brujos (Bewitching Eyes) | Leo Brouwer, Marco Tamayo | A Minor | 0 | 8A | 84 BPM | ||
Prelude | Jorge Morel, Celil Refik Kaya | E Minor | 0 | 9A | 94 BPM | ||
Golden Hour | Yenne Lee | F♯ Minor | 4 | 11A | 95 BPM | ||
Tonada Sin Retorno | Eulogio Dávalos, Oscar Ohlsen, José Oplustil | E♭ Major | 0 | 5B | 84 BPM | ||
25 Etudes, Op.60: No.8 | Matteo Carcassi, Paco Hallak | E Major | 1 | 12B | 72 BPM |
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