"Bebop Tango - Arr. for Cello and Piano" by Eckart Runge, Jacques Ammon was released on August 13, 2021. The duration of Bebop Tango - Arr. for Cello and Piano is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. Bebop Tango - Arr. for Cello and Piano's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 10 in the song's album "Revolutionary Icons". In this album, this song's track order is #9. Bebop Tango - Arr. for Cello and Piano is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Bebop Tango - Arr. for Cello and Piano by Eckart Runge, Jacques Ammon having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
E Minor is the music key of this track. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite From Abdelzar: I. Rondeau | Henry Purcell, Tafelmusik Baroque Orchestra, Jeanne Lamon | D♭ Minor | 1 | 12A | 101 BPM | ||
Modern Times: Smile (arr. for cello and piano) | Charlie Chaplin, Eckart Runge, Jacques Ammon | B♭ Major | 0 | 6B | 103 BPM | ||
String Quintet in A major, Op. 11/5, G 275: Minuetto | The Smithsonian Chamber Players | A♭ Major | 0 | 4B | 184 BPM | ||
La Gioconda / Act 3: Dance Of The Hours | Amilcare Ponchielli, Staatskapelle Dresden, Silvio Varviso | E Major | 0 | 12B | 138 BPM | ||
Tchaikovsky: 1812 Overture in E-Flat Major, Op. 49 (Excerpt) | Pyotr Ilyich Tchaikovsky, Oslo Philharmonic Orchestra, Mariss Jansons | E♭ Major | 6 | 5B | 110 BPM | ||
Music For The Royal Fireworks: Suite HWV 351: 1. Ouverture | George Frideric Handel, The English Concert, Trevor Pinnock | D♭ Major | 4 | 3B | 136 BPM | ||
Aida / Act 2: Marcia | Giuseppe Verdi, Orchestra Del Teatro Dell'Opera Di Roma, Sir Georg Solti | F Minor | 3 | 4A | 148 BPM | ||
Spain - Latin Paraphrase on "Concierto De Aranjuez" by Joaquin Rodrigo | Chick Corea, Eckart Runge, Jacques Ammon | B Minor | 2 | 10A | 140 BPM | ||
Fantasia On Greensleeves | Ralph Vaughan Williams, Vienna State Opera Orchestra, Adrian Boult | C Minor | 2 | 5A | 84 BPM | ||
Scottish Fantasy, Op. 46: 1. Adagio cantabile | Max Bruch, Nicola Benedetti, BBC Scottish Symphony Orchestra, Rory Macdonald | E♭ Major | 2 | 5B | 111 BPM |
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