"Symphony No. 93 in D Major, Hob. I:93: II. Largo cantabile" by Joseph Haydn, Chamber Orchestra of Europe, Claudio Abbado was released on January 1, 1990. With this song being about 5 minutes long, at 5:06, "Symphony No. 93 in D Major, Hob. I:93: II. Largo cantabile" by Joseph Haydn, Chamber Orchestra of Europe, Claudio Abbado is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Joseph Haydn, Chamber Orchestra of Europe, Claudio Abbado's "Haydn: Symphonies Nos. 93 & 101 "The Clock"" album is number 2 out of 8. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Symphony No. 93 in D Major, Hob. I:93: II. Largo cantabile is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Symphony No. 93 in D Major, Hob. I:93: II. Largo cantabile by Joseph Haydn, Chamber Orchestra of Europe, Claudio Abbado to be Andante (at a walking pace) because the track has a tempo of 107 BPM, a half-time of 54BPM, and a double-time of 214 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bassoon Concerto in F, Op.75: 3. Rondo (Allegro) | Carl Maria von Weber, Klaus Thunemann, Academy of St. Martin in the Fields, Sir Neville Marriner | A Major | 1 | 11B | 128 BPM | ||
Symphony in G Major, Op. 3, No. 6, W. C6: III. Allegro assai | Johann Christian Bach, Camerata De Budapest, Hanspeter Gmür | D Major | 1 | 10B | 84 BPM | ||
Kinderszenen, Op. 15: 7. Träumerei | Robert Schumann, Alfred Brendel | F Major | 0 | 7B | 135 BPM | ||
Concerto for two violins BWV 1043 in D Minor: Concerto for two violins BWV 1043 in D Minor: III. Allegro | Johann Sebastian Bach, Freiburger Barockorchester, Petra Mullejans, Gottfried Von Der Goltz | D♭ Minor | 3 | 12A | 104 BPM | ||
Water Music, Suite No. 2, HWV 349: Water Music, Suite No. 2, HWV 349: XII. [Alla Hornpipe] | George Frideric Handel, Akademie für Alte Musik Berlin | D♭ Major | 2 | 3B | 132 BPM | ||
Concerto in F Minor, Op. 5 "Grand": I. Allegro | Bernhard Henrik Crusell, Michael Collins, Swedish Chamber Orchestra | F Minor | 1 | 4A | 131 BPM | ||
Symphony in D Major | Domenico Cimarosa, Chopin Chamber Orchestra, Winston Dan Vogel | A Major | 1 | 11B | 118 BPM | ||
Oboe Concerto in C: 3. Siciliana | Domenico Cimarosa, Heinz Holliger, I Musici | A Minor | 1 | 8A | 84 BPM | ||
Proserpine: Overture in D Major: III. Allegro | Giovanni Paisiello, Collegium Philarmonicum Chamber Orchestra, Gennaro Cappabianca | D Major | 5 | 10B | 99 BPM | ||
Viola Concerto in G Major, TWV 51:G9: I. Largo | Georg Philipp Telemann, Ladislav Kyselák, Capella Istropolitana, Richard Edlinger | G Major | 1 | 9B | 144 BPM |
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