"Six Poems by Henrik Ibsen, Op. 25: En svane (A Swan)" by Birgit Nilsson, Geoffrey Parsons was released on July 5, 2011. The duration of Six Poems by Henrik Ibsen, Op. 25: En svane (A Swan) is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. Six Poems by Henrik Ibsen, Op. 25: En svane (A Swan)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 30 out of 39 in Birgit Nilsson's Greatest Songs and Arias by Birgit Nilsson. Going off of the ISRC code of this track, we detected that the origin of this track is from Sweden. Based on our statistics, Six Poems by Henrik Ibsen, Op. 25: En svane (A Swan)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Six Poems by Henrik Ibsen, Op. 25: En svane (A Swan) by Birgit Nilsson, Geoffrey Parsons is Allegro (fast, quick, and bright), since this song has a tempo of 148 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 5/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Das Lied von der Erde: I. Das Trinklied vom Jammer der Erde - 2008 Remastered | Gustav Mahler, Leonard Bernstein, Israel Philharmonic Orchestra | G Minor | 1 | 6A | 91 BPM | ||
Elektra, Op.58, TrV 223: "Es geht ein Lärm los." | Richard Strauss, Birgit Nilsson, Marie Collier, Wiener Philharmoniker, Sir Georg Solti | B♭ Minor | 3 | 3A | 101 BPM | ||
La Forza del Destino, Act 4: "pace, Pace, Mio Dio" | Birgit Nilsson | D Major | 3 | 10B | 85 BPM | ||
Bellini: Norma: Act 2: "Mira, o Norma" (Adalgisa, Norma) | Vincenzo Bellini, Maria Callas, Christa Ludwig, Tullio Serafin, Orchestra Del Teatro Alla Scala, Milano | E♭ Major | 0 | 5B | 79 BPM | ||
Massenet: Werther, Act 3: "Traduire ! Ah ! Bien souvent mon rêve s'envole" - "Pourquoi me réveiller, ô souffle du Printemps ?" (Werther) | Jules Massenet, Roberto Alagna, London Symphony Orchestra, Antonio Pappano | G Minor | 1 | 6A | 111 BPM | ||
Un ballo in maschera / Act 2: "Ahimè. S'appressa alcun" | Giuseppe Verdi, Birgit Nilsson, Carlo Bergonzi, Cornell MacNeil, Orchestra dell'Accademia Nazionale di Santa Cecilia, Sir Georg Solti | B Major | 1 | 1B | 84 BPM | ||
Das Lied von der Erde: III. Von der Jugend | Gustav Mahler, Jonas Kaufmann, Jonathan Nott, Wiener Philharmoniker | C Minor | 0 | 5A | 69 BPM | ||
Les Pêcheurs de perles, WD 13, Act I: Seule au milieu de nous | Georges Bizet, Alexandre Bloch, Orchestre National de Lille, Cyrille Dubois, Julie Fuchs, Florian Sempey, Luc Bertin-Hugault | A Major | 1 | 11B | 81 BPM | ||
Il Barbiere di Siviglia, Act I, Scene One: Ecco ridente in cielo (Conte) | Gioachino Rossini, Alceo Galliera, Philharmonia Orchestra & Chorus, Luigi Alva | C Major | 1 | 8B | 130 BPM | ||
Salome, Op. 54, TrV 215 / Scene 3: "Wird dir nicht bange, Tochter der Herodias?" | Richard Strauss, Birgit Nilsson, Eberhard Wächter, Wiener Philharmoniker, Sir Georg Solti | A♭ Major | 4 | 4B | 85 BPM |
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