"Concerto grosso No. 6 in F Major, Op. 6: I. Adagio" by Arcangelo Corelli, Gli Incogniti, Amandine Beyer, Helena Zemanova was released on October 14, 2013. The duration of Concerto grosso No. 6 in F Major, Op. 6: I. Adagio is about two minutes long, specifically at 2:18. This song does not appear to have any foul language. Concerto grosso No. 6 in F Major, Op. 6: I. Adagio's duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 70 in Corelli: The Complete Concerti Grossi by Arcangelo Corelli, Gli Incogniti, Amandine Beyer. In terms of popularity, Concerto grosso No. 6 in F Major, Op. 6: I. Adagio is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Concerto grosso No. 6 in F Major, Op. 6: I. Adagio by Arcangelo Corelli, Gli Incogniti, Amandine Beyer, Helena Zemanova is Andante (at a walking pace), since this song has a tempo of 95 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Musikalische Ergötzung, Suite in G Major, P. 450: VI. Saraband | Johann Pachelbel, Gli Incogniti, Amandine Beyer | D♭ Major | 1 | 3B | 120 BPM | ||
Trio Sonata No. 1 in G Major: II. Andantino | Domenico Gallo, London Baroque | E♭ Minor | 1 | 2A | 82 BPM | ||
Cello Concerto in D Major: I. (Allegro) | Ferdinand Zellbell (the younger), Asa Akerberg, Concerto Copenhagen, Andrew Manze | D♭ Major | 1 | 3B | 88 BPM | ||
Sonata in G Major, "La Felicite": II. Allegro | Louis-Nicolas Clérambault, London Baroque | F♯ Major | 3 | 2B | 117 BPM | ||
8 Violin Sonatas and 4 Concertos, Op. 7, No. 2 in E Minor: II. Allegro | Michele Mascitti, Concerto Italiano, Rinaldo Alessandrini | E♭ Minor | 2 | 2A | 115 BPM | ||
Suite in G minor: IV. Bourree II (Arr. A. Camden) | George Frideric Handel, Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas Ward | C Minor | 1 | 5A | 114 BPM | ||
Concerto Grosso in C Minor, Op. 2, No. 2: III. Adagio | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | C Minor | 1 | 5A | 57 BPM | ||
Concerti a cinque Op. 9 for oboe and strings, Concerto No. 8 in G major: III. Allegro | Han De Vries, Bob van Asperen, Alma Musica Amsterdam | F♯ Minor | 2 | 11A | 106 BPM | ||
Flute Concerto in C Minor, QV 5:38: III. Vivace | Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi | B♭ Minor | 1 | 3A | 95 BPM | ||
Aria (Adagio-Presto) | Nicola Matteis, Gli Incogniti, Amandine Beyer | B Minor | 1 | 10A | 87 BPM |
Section: 0.6111421585083008
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