- BPM
- 127
- Key
- C Minor
- Camelot
- 5A
Nachtigall, Op. 97/1 - Johannes Brahms, Bernarda Fink, Roger Vignoles Information
- Acousticness
- 96%
- Danceability
- 43%
- Energy
- 20%
- Instrumentalness
- 0%
- Liveness
- 11%
- Loudness
- 80%
- Speechiness
- 5%
- Valence
- 20%
- Popularity
- 9%
- Loudness
- -12.259 dB
Summary
Johannes Brahms, Bernarda Fink, Roger Vignoles's 'Nachtigall, Op. 97/1' came out on January 25, 2007. The duration of Nachtigall, Op. 97/1 is about two minutes long, specifically at 2:02. This song does not appear to have any foul language. Nachtigall, Op. 97/1's duration is considered a little bit shorter than the average duration of a typical track. The song is number 5 out of 31 in Brahms: Lieder by Johannes Brahms, Bernarda Fink, Roger Vignoles. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Based on our statistics, Nachtigall, Op. 97/1's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Nachtigall, Op. 97/1 BPM
The tempo marking of Nachtigall, Op. 97/1 by Johannes Brahms, Bernarda Fink, Roger Vignoles is Allegro (fast, quick, and bright), since this song has a tempo of 127 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
Nachtigall, Op. 97/1 Key
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Lyric Pieces Book VII, Op. 62: No. 4 Brooklet | Edvard Grieg, Emil Gilels | B Minor | 1 | 10A | 0 BPM | |
 | 13 Pieces, Op. 76: No. 10 Elegiaco | Jean Sibelius, Håvard Gimse | D♭ Minor | 0 | 12A | 68 BPM | |
 | Symphony No. 9 in E Minor, Op. 95 "From the New World": I. Adagio — Allegro molto | Antonín Dvořák, New York Philharmonic, Alan Gilbert | E Minor | 1 | 9A | 125 BPM | |
 | Violin Sonata in A major, FWV 8: IV. Allegretto poco mosso | César Franck, Joshua Bell, Jeremy Denk | A Major | 1 | 11B | 94 BPM | |
 | Etude Op. 10 no. 1 in C Major | Valentina Lisitsa | C Major | 2 | 8B | 88 BPM | |
 | Hungarian Dance No.4 In F Sharp Minor | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | F♯ Minor | 2 | 11A | 80 BPM | |
 | 6 Impromptus, Op. 5: Impromptu No. 5 in B Minor | Jean Sibelius, Håvard Gimse | B Minor | 0 | 10A | 84 BPM | |
 | Orfeo ed Euridice: Ballet des Ombres Heureuses (arr. I. Friedman for piano) | Ignaz Friedman, Christoph Willibald Gluck, Joseph Banowetz | F♯ Major | 0 | 2B | 70 BPM | |
 | 21 Hungarian Dances, WoO 1 (Arr. for Violin & Piano): No. 5 in G Minor (original in F-Sharp Minor) | Joseph Joachim, Johannes Brahms, Baiba Skride, Lauma Skride | G Major | 2 | 9B | 158 BPM | |
 | Preghiera (Arr. by Fritz Kreisler from Piano Concerto No. 2 in C Minor, Op. 18, 2nd Movement) | Sergei Rachmaninoff, Gidon Kremer, Daniil Trifonov | C Major | 1 | 8B | 104 BPM |
- ISRC
- FRZ140612050
- Label
- L-M Records/RCA Records
Section: 0.6700575351715088
End: 0.6755948066711426