Anita O'Day's 'We Laughed At Love' came out on January 1, 1999. The duration of We Laughed At Love is about 3 minutes long, at 3:11. Based on our data, "We Laughed At Love" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 198 in the song's album "The Complete Anita O'Day Verve-Clef Sessions". In this album, this song's track order is #5. Based on our statistics, We Laughed At Love's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With We Laughed At Love by Anita O'Day having a BPM of 121 with a half-time of 60 BPM and a double-time of 242 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 1/4.
E♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
It's Only A Paper Moon | Morgana King | E♭ Major | 2 | 5B | 103 BPM | ||
I Didn't Know What Time It Was | Dorothy Dandridge | G Major | 2 | 9B | 100 BPM | ||
And Her Tears Flowed Like Wine | Stan Kenton & His Orchestra, Anita O'Day | C Major | 4 | 8B | 145 BPM | ||
Almost Like Being in Love | Chris Connor | C Major | 1 | 8B | 109 BPM | ||
A Blossom Fell | Sue Raney | D Minor | 2 | 7A | 132 BPM | ||
It Don't Mean A Thing (If It Ain't Got That Swing) | Annie Ross, Gerry Mulligan Quartet | A♭ Major | 4 | 4B | 134 BPM | ||
From This Moment On - 1955 Version | Anita O'Day | G Minor | 3 | 6A | 146 BPM | ||
The Man That Got Away | Jane Monheit | B♭ Major | 2 | 6B | 78 BPM | ||
I'm in Love | Connie Lansberg, Mark Fitzgibbon, Ben Hanlon, Peter Hodges | B Minor | 4 | 10A | 78 BPM | ||
Love Me Or Leave Me | Anita O'Day, Oscar Peterson Quartet | A♭ Major | 3 | 4B | 117 BPM |
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