John Williams, Boston Pops Orchestra made "The Lost Boys Ballet From "Hook"" available on December 11, 1995. With this song being around four minutes long, at 3:58, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Williams On Williams (Music from the Films of Steven Spielberg) by John Williams. The song's track number on the album is #11 out of 15 tracks. Based on our data, United States was the country where this track was produced or recorded. In terms of popularity, The Lost Boys Ballet From "Hook" is currently not that popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
Since The Lost Boys Ballet From "Hook" by John Williams, Boston Pops Orchestra has a tempo of 118 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With The Lost Boys Ballet From "Hook" being at 118 BPM, the half-time would be 59 BPM with a double-time of 236 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Battle Of Hollywood From "1941" (includes the Irish folksong "The Rakes of Mallow") | John Williams, Boston Pops Orchestra | D♭ Minor | 0 | 12A | 66 BPM | ||
Port Royal Gallop | Thomas Newman | B♭ Major | 3 | 6B | 147 BPM | ||
Independence Day Resurgence Finale | Thomas Wander, Harald Kloser | B♭ Major | 2 | 6B | 83 BPM | ||
Reunion and Finale (from "Sleepers") | Boston Pops Orchestra, Keith Lockhart | C Major | 1 | 8B | 63 BPM | ||
Fratelli Chase - From "The Goonies" | David Newman, Varèse Sarabande Symphony Orchestra | D Minor | 3 | 7A | 80 BPM | ||
Raiders Return to Busy, Busy Berk | John Powell | A Major | 3 | 11B | 73 BPM | ||
Prelude / The Murder / Finale - From "Psycho" | Bernard Herrmann | B Major | 0 | 1B | 131 BPM | ||
The Emperor Is Dead | Lisa Gerrard, Klaus Badelt, Gavin Greenaway, The Lyndhurst Orchestra | A Major | 0 | 11B | 110 BPM | ||
Bumblebee | Steve Jablonsky | D Minor | 2 | 7A | 152 BPM | ||
McMichael | Fernando Velázquez | G Major | 1 | 9B | 93 BPM |
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