Noel Coward's 'Most of Ev'ry Day' came out on July 9, 2019. The duration of Most of Ev'ry Day is about two minutes long, specifically at 2:45. This song does not appear to have any foul language. Most of Ev'ry Day's duration is considered a little bit shorter than the average duration of a typical track. The song is number 11 out of 16 in An English Gentleman by Noel Coward. Most of Ev'ry Day is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Most of Ev'ry Day by Noel Coward is Andante (at a walking pace), since this song has a tempo of 78 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Who | Jack Buchanan | B♭ Minor | 3 | 3A | 84 BPM | ||
Midnite in a Madhouse (Alternate Take) | Chick Webb | G Minor | 6 | 6A | 100 BPM | ||
Long Ago & Far Away | Geraldo & His Orchestra | A♭ Minor | 1 | 1A | 103 BPM | ||
With the Wind and the Rain In Your Hair | Bob Crosby | A Minor | 3 | 8A | 122 BPM | ||
Is There Anything Wrong in That | Helen Kane | G Major | 1 | 9B | 83 BPM | ||
They Can't Black Out the Moon | Harry Roy and His Orchestra | A Minor | 4 | 8A | 140 BPM | ||
Did Your Mother Come From Ireland | Charlie Kunz | C Major | 1 | 8B | 111 BPM | ||
This Is Worth Fighting For | Shep Fields & His New Music, Shep Fields, Ray Ekstrand, Al Freistat, Ben Glassman, Tom L. Lucas, Babe Fresk, Bob Lawson, Berg Vaughn, George Ford, Bill Clifton, Tony Kay, Al Benson, Simon (Sid) Greenfield, Ken Carter | D♭ Major | 1 | 3B | 88 BPM | ||
I Used to Be Color Blind | Ginger Rogers | C Minor | 2 | 5A | 146 BPM | ||
There's a Boy Coming Home on Leave | Flanagan & Allen | G Major | 5 | 9B | 132 BPM |
Section: 0.5375721454620361
End: 0.5418145656585693