"Woodland Sketches, Op. 51: No. 8: A Deserted Farm" by Edward MacDowell, James Barbagallo was released on March 2, 1994. The duration of Woodland Sketches, Op. 51: No. 8: A Deserted Farm is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. Woodland Sketches, Op. 51: No. 8: A Deserted Farm's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Edward MacDowell's "Macdowell: Woodland Sketches / Fireside Tales / New England Idyls" album is number 8 out of 34. In terms of popularity, Woodland Sketches, Op. 51: No. 8: A Deserted Farm is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Woodland Sketches, Op. 51: No. 8: A Deserted Farm by Edward MacDowell, James Barbagallo to be Andante (at a walking pace) because the track has a tempo of 103 BPM, a half-time of 52BPM, and a double-time of 206 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
F♯ Minor is the music key of this track. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
3 Concert Études, S. 144: No. 3 in D-Flat Major, "un sospiro" | Franz Liszt, William Wolfram | D♭ Major | 1 | 3B | 69 BPM | ||
Cello Sonata, FP 143: Cavatine: Tres calme | Francis Poulenc, Françoise Groben, Alexandre Tharaud | B♭ Minor | 0 | 3A | 122 BPM | ||
Nocturnes n°4 en ut mineur | Francis Poulenc, Alexandre Tharaud | C Major | 0 | 8B | 73 BPM | ||
Berceuse Orientale | Ludwig Lebell, Steven Isserlis, Stephen Hough | G Minor | 0 | 6A | 74 BPM | ||
24 Children's Pieces, Op. 25: No. 15. Lullaby: Moderato | Viktor Stepanovych Kosenko, Natalya Shkoda | D♭ Major | 0 | 3B | 81 BPM | ||
Widerstehe doch der Sünde, BWV 54 (Transcr. by Víkingur Ólafsson) | Johann Sebastian Bach, Víkingur Ólafsson | E♭ Major | 1 | 5B | 82 BPM | ||
Nocturne in B Major, Op. 22 | Charles-Valentin Alkan, Pascal Amoyel | B Major | 0 | 1B | 67 BPM | ||
Piano Sonata No. 2 in G Minor, Op. 50 "Eroica": II. Elf-like as Light as Swift as Possible | Edward MacDowell, Alan Mandel | F Minor | 1 | 4A | 84 BPM | ||
Prélude, fugue et variation in B Minor, Op. 18, FWV 30 (Arr. H. Bauer for Piano): II. Lento | César Franck, Jean-Pierre Armengaud | F♯ Major | 0 | 2B | 112 BPM | ||
4 Pictures for Piano Duet: No. 2, Quite Slow and Thoughtful | Edward Gregson, Murray McLachlan, Rose McLachlan | A Minor | 0 | 8A | 129 BPM |
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