Manuel Ruiz Del Corral, Irene Cantos's 'Tableaux for Solo Piano, Book I: Echos Du Temps, Op. 31' came out on March 12, 2024. The duration of Tableaux for Solo Piano, Book I: Echos Du Temps, Op. 31 is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. Tableaux for Solo Piano, Book I: Echos Du Temps, Op. 31's duration is considered a little bit shorter than the average duration of a typical track. The song is number 18 out of 34 in Echos. Piano Works by Beethoven & Rachmaninoff by Irene Cantos, Ludwig van Beethoven, Sergei Rachmaninoff. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Tableaux for Solo Piano, Book I: Echos Du Temps, Op. 31 is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Tableaux for Solo Piano, Book I: Echos Du Temps, Op. 31 by Manuel Ruiz Del Corral, Irene Cantos is Adagio (slowly with great expression), since this song has a tempo of 74 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
亡き王女のためのパヴァーヌ | Fujiko Hemming | E Minor | 0 | 9A | 99 BPM | ||
Lyssenko: Rhapsody on Ukrainian Themes No. 2, Op. 18: I. Dumka (Version for Piano Solo) | Mykola Lysenko, Anastasia Rizikov | F Major | 0 | 7B | 97 BPM | ||
Prélude à l’après-midi d’un faune, CD 87 (Arr. for Octet by G. Steele Johnson) | Claude Debussy, Graeme Steele Johnson, Ji Weon Ryu, Han Lash, Bora Kim, Rachel Loseke, Matthew Cohen, Yun Han, Kohei Yamaguchi | F Minor | 2 | 4A | 140 BPM | ||
O Magnum Mysterium - Transcription for String Quartet | Tomás Luis de Victoria, Varanus Ensemble, Manuel Ruiz Del Corral | A Minor | 1 | 8A | 87 BPM | ||
Capriccio in B-Flat Major, BWV 992: III. Adagissimo | Johann Sebastian Bach, Irene Cantos | F Minor | 0 | 4A | 108 BPM | ||
Albumblatter, Op. 124: No. 16, Slumber Song - Welte-Mignon 2086 | Robert Schumann, David Schorr, Peter Phillips | F♯ Major | 0 | 2B | 70 BPM | ||
Summertime Variations: Var. 7 | Claudio Constantini | E Minor | 0 | 9A | 73 BPM | ||
Silk and Stone | Marco Risolino, Ludovico Leone | B♭ Major | 0 | 6B | 101 BPM | ||
24 Morceaux Caractéristiques, Op. 36: No. 13, Etude in F-Sharp Major - Duo-Art 6187 | Anton Arensky, Hans Ebell, Peter Phillips | F♯ Major | 0 | 2B | 70 BPM | ||
Lullaby for Emmeline | Edmund Finnis, Clare Hammond | D♭ Minor | 0 | 12A | 83 BPM |
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