"You’re Where You Belong / Give ‘Em Hell" by Harold Faltermeyer, Lady Gaga, Hans Zimmer, Lorne Balfe was released on May 27, 2022. You’re Where You Belong / Give ‘Em Hell is about six minutes long, preciously at 5:46, making this song fairly long compared to other songs. There are a total of 12 in the song's album "Top Gun: Maverick (Music From The Motion Picture)". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United States. In terms of popularity, You’re Where You Belong / Give ‘Em Hell is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With You’re Where You Belong / Give ‘Em Hell by Harold Faltermeyer, Lady Gaga, Hans Zimmer, Lorne Balfe having a BPM of 107 with a half-time of 54 BPM and a double-time of 214 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Last Chance Waltz | Christian Lundberg | F♯ Minor | 3 | 11A | 180 BPM | ||
The Day After Tomorrow | Harald Kloser | C Major | 2 | 8B | 110 BPM | ||
Andor (Main Title Theme) - Episode 1 | Nicholas Britell | B Minor | 2 | 10A | 100 BPM | ||
Inception: Time - Orchestra Version - Live | Hans Zimmer, Rusanda Panfili, Eliane Correa, Vienna Radio Symphony Orchestra, Martin Gellner | G Major | 1 | 9B | 126 BPM | ||
Kevin & Casey | West Dylan Thordson | F Minor | 2 | 4A | 67 BPM | ||
Atonement | John Powell, Pete Anthony, The Hollywood Studio Symphony | E Minor | 7 | 9A | 95 BPM | ||
How Could You Leave Us | John Ottman | D Minor | 1 | 7A | 87 BPM | ||
Fall Intro | Tim Despic | B Major | 3 | 1B | 60 BPM | ||
Jessamy's Flight | David Buckley | C Major | 7 | 8B | 125 BPM | ||
Wait for Me | Clinton Shorter | D Minor | 2 | 7A | 110 BPM |
Section: 0.48136019706726074
End: 0.4849979877471924