"25 Preludes, Op. 64: No. 16 in F Minor" by César Cui, Jouni Somero was released on January 4, 2019. With 25 Preludes, Op. 64: No. 16 in F Minor being less than two minutes long, at 1:53, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 16 out of 25 in Cui: 25 Preludes, Op. 64 by César Cui, Jouni Somero. Going off of the ISRC code of this track, we detected that the origin of this track is from Finland. 25 Preludes, Op. 64: No. 16 in F Minor is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 25 Preludes, Op. 64: No. 16 in F Minor by César Cui, Jouni Somero is Adagio (slowly with great expression), since this song has a tempo of 73 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.6 in D minor BWV851 | Daniel Barenboim | D Minor | 1 | 7A | 129 BPM | ||
Après un Rêve Op.7, No.1 | Gabriel Fauré, Jules Eskin, Boston Symphony Orchestra, Seiji Ozawa | F Minor | 1 | 4A | 96 BPM | ||
6 Impromptus, Op. 5: Impromptu No. 5 in B Minor | Jean Sibelius, Håvard Gimse | B Minor | 0 | 10A | 84 BPM | ||
On an Overgrown Path, JW VIII/17, Book 1: No. 3, Come with Us! | Leoš Janáček, Lars Vogt | D Major | 0 | 10B | 131 BPM | ||
Albumblatt in A Minor | Johannes Brahms, Sophie-Mayuko Vetter | D Minor | 0 | 7A | 138 BPM | ||
Berceuse in D-Flat Major, Op. 57 | Frédéric Chopin, Maurizio Pollini | D♭ Major | 1 | 3B | 69 BPM | ||
9 Preludes, Op. 1: No. 1 in B Minor. Andante ma non troppo | Karol Szymanowski, Krystian Zimerman | G Minor | 0 | 6A | 78 BPM | ||
Nocturne No. 10 In E Minor | Benjamin Frith, John Field | E Minor | 0 | 9A | 65 BPM | ||
Pierrette, Op. 41 | Cécile Chaminade, Eric Parkin | E♭ Major | 1 | 5B | 110 BPM | ||
Ancient Airs & Dances, Suite No. 3, P. 172: I. Italiana | Ottorino Respighi, Tonkünstler-Orchester, Yutaka Sado | B♭ Major | 1 | 6B | 92 BPM |
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