Johannes Eccard, Vocalensemble Rastatt, Les Favorites, Holger Speck's '"Der Tag, der ist so freudenreich"' came out on September 1, 2013. The duration of "Der Tag, der ist so freudenreich" is about two minutes long, specifically at 2:35. This song does not appear to have any foul language. "Der Tag, der ist so freudenreich"'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 4 out of 15 in Freue dich, du Tochter Zion. Barockmusik zur Weihnachtszeit by Maria Bernius, Felicitas Erb, Jan Kobow, Vocalensemble Rastatt, Les Favorites, Holger Speck. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. "Der Tag, der ist so freudenreich" is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of "Der Tag, der ist so freudenreich" by Johannes Eccard, Vocalensemble Rastatt, Les Favorites, Holger Speck is Andante (at a walking pace), since this song has a tempo of 77 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prophetiae Sibyllarum: Prologue | Orlande de Lassus, Vocalconsort Berlin, Daniel Reuss | G Major | 1 | 9B | 83 BPM | ||
Communion Service in C Major: Sanctus | John Ireland, Lincoln Cathedral Choir, Charles Harrison, Aric Prentice | F Major | 0 | 7B | 74 BPM | ||
Missa pro Quadragesima, MH 551: Kyrie | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | C Major | 2 | 8B | 138 BPM | ||
Coelos ascendit hodie | Charles Villiers Stanford, Choir of Clare College, Cambridge, Graham Ross | A Major | 4 | 11B | 71 BPM | ||
De profundis | Johannes Eccard, Lautten Compagney Berlin, Staats- und Domchor Berlin, Kai-Uwe Jirka | A♭ Minor | 0 | 1A | 117 BPM | ||
Maria wallt zum Heiligtum (When to the temple Mary went) (Sung in English) | Johannes Eccard, Choir of St John's, Elora, Noel Edison | D Minor | 0 | 7A | 136 BPM | ||
Angelic Symphony | LeoRoads | A Minor | 1 | 8A | 93 BPM | ||
Oi armahda, Kristus, on kaitainen tie, Sl 70 | Mieskuoro Weljet | A Minor | 2 | 8A | 70 BPM | ||
Arvo Pärt: Bogoróditse Dévo | Arvo Pärt, Schola Cantorum, Tone Bianca Sparre Dahl | A Major | 1 | 11B | 100 BPM | ||
Rosengaardsviser, BVN 164: No. 3, Træt | Rued Langgaard, Ars Nova, Tamas Veto | F Major | 0 | 7B | 83 BPM |
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