Erik Chisholm, Murray McLachlan made "From the True Edge of the Great World: No. 1. Ossianic Lay" available on April 1, 2013. With this song being about 5 minutes long, at 4:34, "From the True Edge of the Great World: No. 1. Ossianic Lay" by Erik Chisholm, Murray McLachlan is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 7 out of 42 in Chisholm, E.: Music for Piano, Vol. 2 by Erik Chisholm, Murray McLachlan. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, From the True Edge of the Great World: No. 1. Ossianic Lay's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of From the True Edge of the Great World: No. 1. Ossianic Lay by Erik Chisholm, Murray McLachlan is Allegro (fast, quick, and bright), since this song has a tempo of 133 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 1/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
13 Pieces, Op. 76: No. 3 Carillon | Jean Sibelius, Håvard Gimse | F Major | 0 | 7B | 72 BPM | ||
Nocturne No. 7 in C Major, "Reverie" | John Field, Miceal O'Rourke | B Major | 1 | 1B | 105 BPM | ||
Memories of Childhood, Op. 11: II. In the Steppes | Julius Isserlis, Stephen Hough | E♭ Major | 0 | 5B | 63 BPM | ||
Novelette No. 3 in E Minor, FP 173 | Francis Poulenc, Gen Tomuro | E Minor | 0 | 9A | 72 BPM | ||
Lieder ohne Worte, Op. 62: No. 3 in E Minor. Andante maestoso, MWV U 117 "Funeral March" | Felix Mendelssohn, Igor Levit | A♭ Major | 0 | 4B | 67 BPM | ||
Sinfonia antartica "Symphony No. 7": II. Scherzo. Moderato | Ralph Vaughan Williams, BBC Symphony Orchestra, Martyn Brabbins | B♭ Major | 2 | 6B | 125 BPM | ||
Mary Poppins Fantasy - From "Mary Poppins" | Lang Lang | B♭ Major | 4 | 6B | 133 BPM | ||
7 Piano Pieces, Op. 1: No. 6, Pastorale | Halfdan Cleve, Eva Knardahl | A Minor | 0 | 8A | 75 BPM | ||
Grieg: Lyric Pieces, Book 6, Op. 57: VI. Homesickness | Edvard Grieg, Leif Ove Andsnes | E Minor | 0 | 9A | 74 BPM | ||
マラゲーニャ | Ernesto Lecuona, Irina Mejoueva | F♯ Major | 1 | 2B | 112 BPM |
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