From the True Edge of the Great World: No. 1. Ossianic Lay
Erik Chisholm, Murray McLachlan
Chisholm, E.: Music for Piano, Vol. 2
4:34 April 1, 2013
BPM
133
Key
D Major
Camelot
10B

Embed

Share Link

From the True Edge of the Great World: No. 1. Ossianic Lay - Erik Chisholm, Murray McLachlan Information

Acousticness
99%
Danceability
50%
Energy
9%
Instrumentalness
88%
Liveness
12%
Loudness
63%
Speechiness
6%
Valence
72%
Popularity
Loudness
-22.093 dB

Summary

Erik Chisholm, Murray McLachlan made "From the True Edge of the Great World: No. 1. Ossianic Lay" available on April 1, 2013. With this song being about 5 minutes long, at 4:34, "From the True Edge of the Great World: No. 1. Ossianic Lay" by Erik Chisholm, Murray McLachlan is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 7 out of 42 in Chisholm, E.: Music for Piano, Vol. 2 by Erik Chisholm, Murray McLachlan. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, From the True Edge of the Great World: No. 1. Ossianic Lay's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.

From the True Edge of the Great World: No. 1. Ossianic Lay BPM

The tempo marking of From the True Edge of the Great World: No. 1. Ossianic Lay by Erik Chisholm, Murray McLachlan is Allegro (fast, quick, and bright), since this song has a tempo of 133 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 1/4.

From the True Edge of the Great World: No. 1. Ossianic Lay Key

D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
13 Pieces, Op. 76: No. 3 Carillon by Jean Sibelius, Håvard Gimse13 Pieces, Op. 76: No. 3 CarillonJean Sibelius, Håvard GimseF Major07B72 BPM
Nocturne No. 7 in C Major, Nocturne No. 7 in C Major, "Reverie"John Field, Miceal O'RourkeB Major11B105 BPM
Memories of Childhood, Op. 11: II. In the Steppes by Julius Isserlis, Stephen HoughMemories of Childhood, Op. 11: II. In the SteppesJulius Isserlis, Stephen HoughE♭ Major05B63 BPM
Novelette No. 3 in E Minor, FP 173 by Francis Poulenc, Gen TomuroNovelette No. 3 in E Minor, FP 173Francis Poulenc, Gen TomuroE Minor09A72 BPM
Lieder ohne Worte, Op. 62: No. 3 in E Minor. Andante maestoso, MWV U 117 Lieder ohne Worte, Op. 62: No. 3 in E Minor. Andante maestoso, MWV U 117 "Funeral March"Felix Mendelssohn, Igor LevitA♭ Major04B67 BPM
Sinfonia antartica Sinfonia antartica "Symphony No. 7": II. Scherzo. ModeratoRalph Vaughan Williams, BBC Symphony Orchestra, Martyn BrabbinsB♭ Major26B125 BPM
Mary Poppins Fantasy - From Mary Poppins Fantasy - From "Mary Poppins"Lang LangB♭ Major46B133 BPM
7 Piano Pieces, Op. 1: No. 6, Pastorale by Halfdan Cleve, Eva Knardahl7 Piano Pieces, Op. 1: No. 6, PastoraleHalfdan Cleve, Eva KnardahlA Minor08A75 BPM
Grieg: Lyric Pieces, Book 6, Op. 57: VI. Homesickness by Edvard Grieg, Leif Ove AndsnesGrieg: Lyric Pieces, Book 6, Op. 57: VI. HomesicknessEdvard Grieg, Leif Ove AndsnesE Minor09A74 BPM
マラゲーニャ by Ernesto Lecuona, Irina MejouevaマラゲーニャErnesto Lecuona, Irina MejouevaF♯ Major12B112 BPM
ISRC
GBBDZ0825009
Label
L-M Records/RCA Records

Section: 0.7448759078979492

End: 0.7509934902191162