"Der schlimm-heilige Vitalis, Act III, Scene 10: Sieh' da! Mein einzig Töchterlein spaziert am frühen Morgen" by Richard Flury, Kay Stiefermann, Rebecca Nelsen, Nuremberg Symphony Orchestra, Paul Mann was released on October 7, 2022. The duration of Der schlimm-heilige Vitalis, Act III, Scene 10: Sieh' da! Mein einzig Töchterlein spaziert am frühen Morgen is about two minutes long, specifically at 2:24. This song does not appear to have any foul language. Der schlimm-heilige Vitalis, Act III, Scene 10: Sieh' da! Mein einzig Töchterlein spaziert am frühen Morgen's duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 30 in Flury: Der schlimm-heilige Vitalis by Richard Flury, Rebecca Nelsen, Marlene Gassner, Matthias Stier, Markus Eiche, Nuremberg Symphony Orchestra, Paul Mann. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Der schlimm-heilige Vitalis, Act III, Scene 10: Sieh' da! Mein einzig Töchterlein spaziert am frühen Morgen is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Der schlimm-heilige Vitalis, Act III, Scene 10: Sieh' da! Mein einzig Töchterlein spaziert am frühen Morgen by Richard Flury, Kay Stiefermann, Rebecca Nelsen, Nuremberg Symphony Orchestra, Paul Mann is Andante (at a walking pace), since this song has a tempo of 100 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Frienship | Oscar Vega | G Major | 5 | 9B | 121 BPM | ||
Saint Petersburg March | Johnnie Vinson, Midwest Wind Ensemble | G Minor | 5 | 6A | 116 BPM | ||
Symfonietta, JW VI/18: I. Allegretto | Leoš Janáček, Prague Radio Symphony Orchestra, Tomáš Netopil | D♭ Major | 3 | 3B | 62 BPM | ||
Liberty Bell (USMC) | Derp Bros | F Major | 2 | 7B | 122 BPM | ||
Carmina Burana Suite, "Cantiones profanae" (arr. J. Krance): II. Fortune plango vulnera (I lament Fortune's blows) | John Krance, Carl Orff, Peabody Conservatory Wind Ensemble, Harlan D. Parker | A Minor | 1 | 8A | 107 BPM | ||
Life Guards Slow March | Household Cavalry Bands | E♭ Major | 4 | 5B | 107 BPM | ||
Holocaust - In memoriam: II. To Victory | Maya Badian, Romanian National Orchestra, Ludovic Bacs | B Major | 3 | 1B | 110 BPM | ||
And the Band Played On | The Regimental Band of the Coldstream Guards, Major Graham O. Jones | E♭ Major | 4 | 5B | 131 BPM | ||
Finale from Jazz Suite No. 2 Dmitri Shostakovich/johan De Meij | Johan de Meij | F Major | 2 | 7B | 119 BPM | ||
The Yellow & Blue | University of Michigan Marching Band | A♭ Major | 5 | 4B | 160 BPM |
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