Rentaro Taki, Marc Grauwels's 'Kojo no tsuki (Moon at a desolate castle) [version for flute]: Koojo No Tsuki' came out on August 2, 2003. With Kojo no tsuki (Moon at a desolate castle) [version for flute]: Koojo No Tsuki being less than two minutes long, at 1:51, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Hiroko Masaki's "Japanese Melodies" album is number 5 out of 21. On top of that, Hong Kong appears to be the country where this track was created. Kojo no tsuki (Moon at a desolate castle) [version for flute]: Koojo No Tsuki is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Kojo no tsuki (Moon at a desolate castle) [version for flute]: Koojo No Tsuki by Rentaro Taki, Marc Grauwels to be Adagio (slowly with great expression) because the track has a tempo of 67 BPM, a half-time of 34BPM, and a double-time of 134 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Lark (arr. for Harp) | Mikhail Glinka, Se Hee Hwang | D♭ Major | 1 | 3B | 69 BPM | ||
5 Preludes, Op. 16: IV. Prelude No. 4 in E-Flat Minor: Lento | Alexander Scriabin, Evgeny Zarafiants | A Minor | 0 | 8A | 129 BPM | ||
The Liturgy of Orpheus: IV. Gaia, Mother Earth | Yannis Markopoulos, José van Dam, Elena Kelessidi, Philip Sheffield, Flanders Opera Chorus, Arielle Valibouse, Marc Grauwels, Flanders Opera Symphony Orchestra, Edwig Abrath | A Minor | 3 | 8A | 65 BPM | ||
ダッタン人の踊り (歌劇 イーゴリ公より) 6 娘たちの流麗な踊り | Alexander Borodin, Ken-Ichiro Kobayashi, Arnhem Philharmonic Orchestra | A Major | 2 | 11B | 176 BPM | ||
Adagio and Rondo in C Minor, K. 617: Rondo | Wolfgang Amadeus Mozart, Marc Grauwels, Dennis James, Joris Van Den Hauwe, Salzburg Soloists, Luz Leskowitz | F Major | 1 | 7B | 65 BPM | ||
Haro no Umi (for Violin and Harp) | Michio Miyagi, Gidon Kremer, Naoko Yoshino | A Minor | 1 | 8A | 127 BPM | ||
Pièces de viole, Livre 2 - Suite No. 3 in D Major: No. 63. Les Voix Humaines (Lentement) | Marin Marais, Philippe Pierlot | D♭ Major | 0 | 3B | 77 BPM | ||
Elegy (In Memoriam Stephen Lawrence) | Philip Herbert, Chineke! Orchestra, Anthony Parnther | C Major | 0 | 8B | 100 BPM | ||
Die Geschichte Eines Unbekannten Schauspielers (The Story of the Unknown Actor): Waltzer (Abschied) | Alfred Schnittke, Berlin Radio Symphony Orchestra, Frank Strobel | C Minor | 0 | 5A | 168 BPM | ||
Songs My Mother Taught Me, Op. 55 No. 4, B. 104 No. 4 (Arr. Y. Bandoh) | Antonín Dvořák, Ami Oike, Rino Kageyama | E♭ Major | 1 | 5B | 80 BPM |
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