- BPM
- 69
- Key
- B Minor
- Camelot
- 10A
Feinsliebchen, komm ans Fenster (Don Juan) - Friedrich Schorr Information
- Acousticness
- 99%
- Danceability
- 43%
- Energy
- 25%
- Instrumentalness
- 0%
- Liveness
- 40%
- Loudness
- 76%
- Speechiness
- 7%
- Valence
- 37%
- Popularity
- 0%
- Loudness
- -14.601 dB
Summary
Friedrich Schorr's 'Feinsliebchen, komm ans Fenster (Don Juan)' came out on September 1, 2006. The duration of Feinsliebchen, komm ans Fenster (Don Juan) is about two minutes long, specifically at 2:05. This song does not appear to have any foul language. Feinsliebchen, komm ans Fenster (Don Juan)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Friedrich Schorr's "Lebendige Vergangenheit - Friedrich Schorr" album is number 1 out of 16. Feinsliebchen, komm ans Fenster (Don Juan) is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Feinsliebchen, komm ans Fenster (Don Juan) BPM
We consider the tempo marking of Feinsliebchen, komm ans Fenster (Don Juan) by Friedrich Schorr to be Adagio (slowly with great expression) because the track has a tempo of 69 BPM, a half-time of 34BPM, and a double-time of 138 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
Feinsliebchen, komm ans Fenster (Don Juan) Key
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | La forza del destino, Act IV, Scene I: Invano Alvaro | Giuseppe Verdi, Simone Piazzola, Andrea Bocelli, Orchestra del Teatro Carlo Felice di Genova, Valerio Galli | C Minor | 2 | 5A | 88 BPM | |
 | Don Carlo / Act 2: "Dio, che nell'alma infodere" | Giuseppe Verdi, Carlo Bergonzi, Dietrich Fischer-Dieskau, Tugomir Franc, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti | G Major | 2 | 9B | 129 BPM | |
 | Die Walkure: Act II Scene 2: Ein andres ist's (Wotan, Brunnhilde) | Richard Wagner, Kirsten Flagstad, Kathryn Meisle, Friedrich Schorr, Lotte Lehmann, Lauritz Melchior, Emanuel List, San Francisco Opera Orchestra, Fritz Reiner | B♭ Major | 1 | 6B | 88 BPM | |
 | Lucia di Lammermoor, Act I: Il tuo dubbio | Gaetano Donizetti, Coro del Teatro Carlo Felice di Genova, Didier Pieri, Stefano Antonucci, Mariano Buccino, Orchestra del Teatro Carlo Felice di Genova, Andriy Yurkevych | B♭ Major | 2 | 6B | 71 BPM | |
 | Ha, welch ein Augenblick (Fidelio) | Friedrich Schorr | G Major | 2 | 9B | 96 BPM | |
 | La Bohème: O Mimì tu più non torni. | Giacomo Puccini, Orchestra e Coro del teatro Municipale di Reggio Emilia, Francesco Molinari-Pradelli, Luciano Pavarotti, Vito Mattioli | E♭ Major | 2 | 5B | 116 BPM | |
 | Bizet: Carmen, WD 31, Act 1 Scene 4: No. 5, Havanaise, "L'amour est un oiseau rebelle" (Carmen, Chorus) | Georges Bizet, Maria Callas, Orchestre de l'Opéra National de Paris, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris | D Major | 1 | 10B | 134 BPM | |
 | Mozart: Die Zauberflöte, K. 620, Act 1 Scene 15: No. 8, Finale, "Zum Ziele führt dich diese Bahn" (Drei Knaben, Tamino, Erste Stimme, Zweite Stimme, Sprecher, Die Priester) | Wolfgang Amadeus Mozart, Nicolai Gedda, Otto Klemperer, Philharmonia Orchestra | D Major | 0 | 10B | 98 BPM | |
 | Gounod: Faust, Act 2: "Ainsi que la brise légère" (Chorus, Méphistophélès, Faust, Siebel) | Charles Gounod, Michel Plasson, José van Dam, Martine Mahé, Richard Leech, Orchestre National Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM | |
 | Don Giovanni, K. 527, Act II: Act II Scene 15: Don Giovanni, a cenar teco (Commendatore, Don Giovanni, Leporello) | Wolfgang Amadeus Mozart, Ezio Flagello, Metropolitan Opera Orchestra, George London, William Wilderman, Karl Böhm | B♭ Major | 3 | 6B | 87 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.8493216037750244
End: 0.8533155918121338