"Sonata: 4. Allegro Moderato Maestoso bar 345" by Paul Hindemith, Christian Lindberg, Roland Pöntinen was released on November 4, 2020. With Sonata: 4. Allegro Moderato Maestoso bar 345 being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Paul Hindemith, Christian Lindberg, Roland Pöntinen's "Hindemith: Sonata for Piano and Trombone" album is number 13 out of 13. On top of that, Sweden appears to be the country where this track was created. The popularity of Sonata: 4. Allegro Moderato Maestoso bar 345 is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Sonata: 4. Allegro Moderato Maestoso bar 345 by Paul Hindemith, Christian Lindberg, Roland Pöntinen to be Vivace (lively and fast) because the track has a tempo of 173 BPM, a half-time of 86BPM, and a double-time of 346 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Sonata No. 2, Op. 2: II. Andante con espressione | Johannes Brahms, Sara Costa | B♭ Major | 2 | 6B | 85 BPM | ||
12 Etudes, Op. 8: No. 1 in C-Sharp Major | Alexander Scriabin, Daniela Roma | D♭ Major | 1 | 3B | 146 BPM | ||
Suite im alten Stil, Op. 93: I. Präludium | Max Reger, Ulf Wallin, Roland Pöntinen | B Minor | 0 | 10A | 89 BPM | ||
Symphony No. 9: 3 Bars After Figure 27 | Allan Pettersson, Norrköping Symphony Orchestra, Christian Lindberg | C Minor | 1 | 5A | 91 BPM | ||
Blumenleben, Op. 19: No. 5, Rose | Dora Pejačević, Donka Angatscheva | A Major | 2 | 11B | 79 BPM | ||
Trombone Concerto (arr. B. Free): II. Andante piu mosso | Nathaniel Shilkret, Bryan Free, Christian Lindberg, Orquestra Sinfônica do Estado de São Paulo, John Neschling | A Major | 0 | 11B | 131 BPM | ||
Elegie in G Minor, Op. 44: Elegie, Op. 44 | Alexander Glazunov, Nobuko Imai, Roland Pöntinen | E♭ Major | 1 | 5B | 85 BPM | ||
Preludes, Op. 9, No. 10: Cantabile | Theodor Kirchner, Yaara Tal | C Major | 0 | 8B | 69 BPM | ||
Alcazaba II | Christian Lindberg, Pacho Flores, Swedish Chamber Orchestra | D Minor | 0 | 7A | 75 BPM | ||
12 Études, Op. 25: No. 4 in A Minor "Paganini" | Frédéric Chopin, Yunchan Lim | A♭ Major | 2 | 4B | 75 BPM |
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