Jean-Philippe Rameau, Swedish Radio Symphony Orchestra, Daniel Harding made "Hippolyte et Aricie, RCT 43: Hippolyte et Aricie, RCT 43: I. Ouverture" available on August 26, 2016. The duration of Hippolyte et Aricie, RCT 43: Hippolyte et Aricie, RCT 43: I. Ouverture is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. Hippolyte et Aricie, RCT 43: Hippolyte et Aricie, RCT 43: I. Ouverture's duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 14 in Berlioz: Symphonie Fantastique - Rameau: Suite de Hippolyte et Aricie by Swedish Radio Symphony Orchestra, Daniel Harding. In terms of popularity, Hippolyte et Aricie, RCT 43: Hippolyte et Aricie, RCT 43: I. Ouverture is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Hippolyte et Aricie, RCT 43: Hippolyte et Aricie, RCT 43: I. Ouverture by Jean-Philippe Rameau, Swedish Radio Symphony Orchestra, Daniel Harding is Moderato (at a moderate speed), since this song has a tempo of 112 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Zaïs, Ouverture | Jean-Philippe Rameau, Les Talens Lyriques, Christophe Rousset | C Major | 4 | 8B | 137 BPM | ||
Sinfonia to Il Giardino di Amore: II. Largo e piano | Alessandro Scarlatti, Reinhold Friedrich, Budapest Strings, Karoly Botvay | B Minor | 0 | 10A | 80 BPM | ||
Sinfonia In D Major, Wq. 183/1, H. 663 : II. Largo | Carl Philipp Emanuel Bach, Salzburg Chamber Philharmonic Orchestra | F Major | 0 | 7B | 133 BPM | ||
Symphony in D Minor: Symphony in D Minor: II. Allegretto | César Franck, Philippe Herreweghe, Orchestre des Champs-Élysées | F♯ Major | 0 | 2B | 90 BPM | ||
Symphony No. 3 in F Major, Op. 90: II. Andante | Johannes Brahms, David Zinman | C Major | 0 | 8B | 73 BPM | ||
Sibelius: Symphony No. 5 in E-Flat Major, Op. 82: III. Allegro molto - Un pochettino largamente | Jean Sibelius, Herbert von Karajan, Philharmonia Orchestra | A♭ Major | 1 | 4B | 79 BPM | ||
Brandenburg Concerto No. 6 In B Flat Major, BWV 1051: II. Adagio Ma Non Tanto | Cologne Chamber Orchestra, Johann Sebastian Bach | C Minor | 1 | 5A | 83 BPM | ||
Sonata in G Major, K 13 (L 486) | Domenico Scarlatti, Glenn Gould | G Major | 3 | 9B | 101 BPM | ||
Oboe Concerto in A Major (arr. J. Barbirolli): V. Giga | Arcangelo Corelli, Anthony Camden, City of London Sinfonia, Nicholas Ward | F Major | 0 | 7B | 104 BPM | ||
Pulcinella Suite: I. Sinfonia | Igor Stravinsky, Tapiola Sinfonietta, Masaaki Suzuki | G Major | 0 | 9B | 91 BPM |
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