"Der Kaiser von Atlantis, Op. 49b, Scene 1 "Die Tod-Verweigerung": Präludium (Live at Prinzregenten Theater, Munich 10/10/2021)" by Viktor Ullmann, Munich Radio Orchestra, Patrick Hahn was released on April 15, 2022. With Der Kaiser von Atlantis, Op. 49b, Scene 1 "Die Tod-Verweigerung": Präludium (Live at Prinzregenten Theater, Munich 10/10/2021) being less than two minutes long, at 1:12, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 28 in the song's album "Ullmann: Der Kaiser von Atlantis, Op. 49b "Die Tod-Verweigerung" (Live at Prinzregenten Theater, Munich 10/10/2021)". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Germany. Der Kaiser von Atlantis, Op. 49b, Scene 1 "Die Tod-Verweigerung": Präludium (Live at Prinzregenten Theater, Munich 10/10/2021) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Der Kaiser von Atlantis, Op. 49b, Scene 1 "Die Tod-Verweigerung": Präludium (Live at Prinzregenten Theater, Munich 10/10/2021) by Viktor Ullmann, Munich Radio Orchestra, Patrick Hahn having a BPM of 77 with a half-time of 38 BPM and a double-time of 154 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
The music key of this track is F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Du Zolst Nit Geyn | Traditional, Viktor Ullmann, Counterpoint, Robert de Cormier | F♯ Minor | 1 | 11A | 91 BPM | ||
Concerto for Clarinet and Orchestra, Op. 124: III. Lento | Robert Groslot, Roeland Hendrikx, Brussels Philharmonic | D Minor | 0 | 7A | 62 BPM | ||
Di Mezinke | Traditional, Viktor Ullmann, Counterpoint, Robert de Cormier | A Major | 4 | 11B | 128 BPM | ||
Approaching the Crazed Myth Hunter | Milo Paulus | F♯ Major | 3 | 2B | 65 BPM | ||
Aubade, FP 51a: V. Sortie de Diane | Francis Poulenc, Ronald Corp, New London Orchestra, Julian Evans | A Major | 1 | 11B | 69 BPM | ||
Sulla Corda | Alessandro Gozzo, Cats Rule the World | B♭ Major | 0 | 6B | 168 BPM | ||
Serenade: IV. Agathon. Adagio | Leonard Bernstein, James Ehnes, St. Louis Symphony, Stéphane Denève | G Major | 2 | 9B | 83 BPM | ||
Die Weise von Liebe und Tod des Cornets Christoph Rilke, Pt. 1: Ein Tag durch den Tross | Viktor Ullmann, Erika Pluhar, Tschechische Philharmonie, Gerd Albrecht | B♭ Major | 1 | 6B | 144 BPM | ||
5 Liebeslieder, Op. 26a (arr. M-C. Liu for viola and piano): No. 2. Am Klavier | Meng-Chieh Liu, Viktor Ullmann, Teng Li | B♭ Minor | 1 | 3A | 133 BPM | ||
Eventide: X. Fugato | Kenneth Fuchs, Tim McAllister, Sinfonia Of London, John Wilson | F Major | 0 | 7B | 76 BPM |
Section: 1.0999069213867188
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