GAITS made "Running from the Night" available on November 14, 2016. The duration of Running from the Night is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. Running from the Night's duration is considered a little bit shorter than the average duration of a typical track. Since Running from the Night only contains only one song in the album, we like to consider this song as a single. Furthermore, we believe that the track originated from Turks and Caicos Islands. Running from the Night is below average in popularity right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Running from the Night by GAITS having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Take Me Now | Cut One, Wolfgang Black | E♭ Major | 9 | 5B | 75 BPM | ||
Smells Like Teen Spirit | Saint Mesa | D Major | 4 | 10B | 160 BPM | ||
Only Human | Simon, IOLITE | G Major | 5 | 9B | 144 BPM | ||
Anything to Save You | Club Danger | B Minor | 7 | 10A | 150 BPM | ||
It Hurts | The EverLove | D♭ Minor | 6 | 12A | 125 BPM | ||
Sail | Jack Trammell | E♭ Minor | 9 | 2A | 60 BPM | ||
The Devil Always Gets Her Way | Tom Ford, Lee Richardson, Richard Macklin, James Cocozza, Jonathan Murrill | D Major | 6 | 10B | 170 BPM | ||
Towers | Night Argent | A♭ Major | 8 | 4B | 100 BPM | ||
Half-Life | VOLK, Gregg Lehrman | F Major | 6 | 7B | 138 BPM | ||
And so It Begins | Klergy | A Major | 4 | 11B | 144 BPM |
Section: 0.5474889278411865
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