Rudolf Sieczynski, 稲葉智子 made "Pirouettes en diagonale (3/8:64): ウィーン我が夢の街" available on March 4, 2015. With Pirouettes en diagonale (3/8:64): ウィーン我が夢の街 being less than two minutes long, at 1:26, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in 稲葉智子's "Musique pour le Cours de Danse Classique [Essential Edition]" album is number 17 out of 23. On top of that, Japan appears to be the country where this track was created. In terms of popularity, Pirouettes en diagonale (3/8:64): ウィーン我が夢の街 is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Pirouettes en diagonale (3/8:64): ウィーン我が夢の街 by Rudolf Sieczynski, 稲葉智子 to be Andante (at a walking pace) because the track has a tempo of 97 BPM, a half-time of 48BPM, and a double-time of 194 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gianni Schicchi (O mio bambino caro) | Katia Ricciarelli | A♭ Major | 2 | 4B | 79 BPM | ||
Elisabethan Serenade | London Festival Symphony Orchestra | F Major | 2 | 7B | 152 BPM | ||
Serenade, Op 6: I | Toselli, Promising Philharmonic Orchestra | D Major | 2 | 10B | 86 BPM | ||
Life and Works: Rusalka (Act I: Song to the Moon) | Sean Barrett | F♯ Major | 0 | 2B | 126 BPM | ||
Geschichten Aus Dem Wienerwald, Op.325 (Tales From The Vienna Wood, Waltz / Légendes De La Forêt Viennoise / Valse Strorielle Del Bosco Viennese / Valze Cuentos Del Bosque Vienés, Vals) | Ricci Ferra | B♭ Major | 2 | 6B | 182 BPM | ||
The Waves of the Danube | The Manhattan Pops | F Major | 3 | 7B | 178 BPM | ||
Orphée et Eurydice: J'ai perdu mon Eurydice | Maria Callas, Georges Prêtre, The Orchestra National De La Radiodiffusion Francaise | C Major | 2 | 8B | 71 BPM | ||
Serenata nº13 - Andante romanza | Waldo De Los Ríos | C Major | 4 | 8B | 118 BPM | ||
Lohengrin: Treulich geführt | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Rafael Frühbeck de Burgos | B♭ Major | 2 | 6B | 92 BPM | ||
Vals del Emperador | Orquesta Concierto de Viena | C Major | 2 | 8B | 177 BPM |
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