"Quintet for Alto Saxophone & String Quartet in A Minor: III. Quarter Note Equals 60" by Ellen Taaffe Zwilich, Otis Murphy, Pacifica Quartet was released on July 10, 2020. Since Quintet for Alto Saxophone & String Quartet in A Minor: III. Quarter Note Equals 60 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 10 out of 10 in Contemporary Voices by Otis Murphy, Pacifica Quartet. Based on our statistics, Quintet for Alto Saxophone & String Quartet in A Minor: III. Quarter Note Equals 60's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Quintet for Alto Saxophone & String Quartet in A Minor: III. Quarter Note Equals 60 by Ellen Taaffe Zwilich, Otis Murphy, Pacifica Quartet is Allegro (fast, quick, and bright), since this song has a tempo of 126 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Petrushka, K12 (1947 Version): IVb. Dance of the Wet-Nurses | Igor Stravinsky, Orchestre de Paris, Klaus Mäkelä | B Major | 1 | 1B | 173 BPM | ||
Sinfonia da Requiem, Op. 20: I. Lacrymosa. Andante ben misurato | Benjamin Britten, Sir Simon Rattle, London Symphony Orchestra | G Major | 2 | 9B | 85 BPM | ||
Symphony No. 4 in D Minor, Op. 120: II. Romanze. Ziemlich langsam (Excerpt) | Robert Schumann, Stuttgart Radio Symphony Orchestra, Sir Neville Marriner | A Minor | 0 | 8A | 86 BPM | ||
Clarinet Concerto: III. — | Ellen Taaffe Zwilich, David Shifrin, Chamber Music Northwest, Ransom Wilson | B♭ Major | 2 | 6B | 157 BPM | ||
Lunacy Talked Me out of It | Alberto Moggi, Jacopo Polimeno, Giuseppe Brittanni, Brendon Steel, Royal Philarmonic Cunes | E♭ Minor | 1 | 2A | 100 BPM | ||
Falla: El sombrero de tres picos, Pt. 2: Danza de los vecinos | Manuel de Falla, Sir Neville Marriner, Academy of St. Martin in the Fields | F Major | 0 | 7B | 121 BPM | ||
Don Quixote, Op. 35, TrV 184: Finale: Don Quixotes Tod | Richard Strauss, Oslo Philharmonic Orchestra, Vasily Petrenko, Louisa Tuck, Catherine Bullock | D Major | 0 | 10B | 83 BPM | ||
Abbey Road concerto for Violin and Orchestra: III. Intermezzo 1 - Oh Darling | Guy Braunstein, Orchestre Philharmonique Royal de Liège, Alondra de la Parra | A Major | 2 | 11B | 99 BPM | ||
Túria (Agua salvaje) | Gabriel Andrés Gallegos, Budapest Art Orchestra | D Minor | 0 | 7A | 144 BPM | ||
弦楽のためのアダージョ (バーバー)[式後の音楽] | ソフィア交響楽団 | B♭ Minor | 1 | 3A | 78 BPM |
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