Arabella, Op. 79, TrV 263, Act I: Ich lasse bitten! (Live) - Richard Strauss, Hans Reinmar, Theo Herrmann, Vienna State Opera Orchestra, Clemens Krauss Information

Acousticness: 98%
Danceability: 17%
Energy: 32%
Instrumentalness: 0%
Liveness: 38%
Loudness: 79%
Speechiness: 3%
Valence: 4%
Popularity: 0%
Loudness: -12.381 dB

Summary

"Arabella, Op. 79, TrV 263, Act I: Ich lasse bitten! (Live)" by Richard Strauss, Hans Reinmar, Theo Herrmann, Vienna State Opera Orchestra, Clemens Krauss was released on October 16, 2020. The duration of Arabella, Op. 79, TrV 263, Act I: Ich lasse bitten! (Live) is about 3 minutes long, at 3:13. Based on our data, "Arabella, Op. 79, TrV 263, Act I: Ich lasse bitten! (Live)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 40 in the song's album "Strauss: Arabella, Op. 79, TrV 263 (Live)". In this album, this song's track order is #11. Furthermore, we believe that the track originated from United States. Arabella, Op. 79, TrV 263, Act I: Ich lasse bitten! (Live) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Arabella, Op. 79, TrV 263, Act I: Ich lasse bitten! (Live) BPM

With Arabella, Op. 79, TrV 263, Act I: Ich lasse bitten! (Live) by Richard Strauss, Hans Reinmar, Theo Herrmann, Vienna State Opera Orchestra, Clemens Krauss having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Arabella, Op. 79, TrV 263, Act I: Ich lasse bitten! (Live) Key

This song has a musical key of A♭ Minor. Which also means that the camelot key for this song is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Japanese Suite, Op. 33: III. Dance of the Marionette	Gustav Holst, Ulster Orchestra, Joann Falletta	C Minor	0	5A	177 BPM
3 Preludi Sopra Melodie Gregoriane, P. 131: I. Molto Lento	Ottorino Respighi, Konstantin Scherbakov	A♭ Minor	0	1A	70 BPM
Carmen Suite No. 1 (Arr. E. Guiraud): III. Intermezzo	Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González	A♭ Major	3	4B	161 BPM
String Quintet In C, D. 956: 3. Scherzo (Presto) - Trio (Andante sostenuto)	Franz Schubert, Mstislav Rostropovich, Emerson String Quartet	C Major	2	8B	107 BPM
Choral-Vatiationen: Var. I. In canone all'Ottava	Igor Stravinsky, Philippe Herreweghe, Royal Flemish Philharmonic, Collegium Vocale Gent	C Major	1	8B	93 BPM
Elektra: Xxvi. Agamemnon hört dich!	Hugo von Hofmannsthal, Richard Strauss, Lennart Stregård, Laila Andersson-palme, Anita Soldh, Royal Swedish Opera Orchestra, Siegfried Köhler	D♭ Major	5	3B	118 BPM
Don Quixote, Op. 35, TrV 184: IX. Var. 6. Schnell	Richard Strauss, Yo-Yo Ma, Steven Ansell, Boston Symphony Orchestra, Andris Nelsons	B Major	1	1B	85 BPM
Death of Usurer: Adagio	Valery Gergiev, London Symphony Orchestra	C Minor	0	5A	108 BPM
Don Quixote, Op. 35, TrV 184: Introduction	Richard Strauss, Oslo Philharmonic Orchestra, Vasily Petrenko, Louisa Tuck, Catherine Bullock	D Major	1	10B	92 BPM
La pentola magica, P. 129: Preludio	Ottorino Respighi, Jakub Francisci, Slovak Radio Symphony Orchestra, Adriano	D Minor	0	7A	91 BPM

ISRC: USB8U1805169
Label: L-M Records/RCA Records

Section: 0.8151736259460449

End: 0.8195550441741943