The Young Person's Guide to the Orchestra, Op. 34 (Variations and Fugue on a Theme of Purcell): Theme: Strings
Benjamin Britten, Eugene Ormandy, Philadelphia Orchestra
David Bowie narrates Prokofiev's Peter and the Wolf & The Young Person's Guide to the Orchestra
0:17 May 2, 1978
BPM
85
Key
B♭ Major
Camelot
6B

Embed

Share Link

The Young Person's Guide to the Orchestra, Op. 34 (Variations and Fugue on a Theme of Purcell): Theme: Strings - Benjamin Britten, Eugene Ormandy, Philadelphia Orchestra Information

Acousticness
94%
Danceability
36%
Energy
13%
Instrumentalness
3%
Liveness
16%
Loudness
78%
Speechiness
5%
Valence
0%
Popularity
Loudness
-13.393 dB

Summary

"The Young Person's Guide to the Orchestra, Op. 34 (Variations and Fugue on a Theme of Purcell): Theme: Strings" by Benjamin Britten, Eugene Ormandy, Philadelphia Orchestra was released on May 2, 1978. With The Young Person's Guide to the Orchestra, Op. 34 (Variations and Fugue on a Theme of Purcell): Theme: Strings being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 17 out of 41 in David Bowie narrates Prokofiev's Peter and the Wolf & The Young Person's Guide to the Orchestra by David Bowie, Eugene Ormandy. The Young Person's Guide to the Orchestra, Op. 34 (Variations and Fugue on a Theme of Purcell): Theme: Strings is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

The Young Person's Guide to the Orchestra, Op. 34 (Variations and Fugue on a Theme of Purcell): Theme: Strings BPM

The tempo marking of The Young Person's Guide to the Orchestra, Op. 34 (Variations and Fugue on a Theme of Purcell): Theme: Strings by Benjamin Britten, Eugene Ormandy, Philadelphia Orchestra is Andante (at a walking pace), since this song has a tempo of 85 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.

The Young Person's Guide to the Orchestra, Op. 34 (Variations and Fugue on a Theme of Purcell): Theme: Strings Key

B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
5 Stücke im Volkston, Op. 102: 3. Nicht schnell, mit viel Ton zu spielen by Robert Schumann, Mstislav Rostropovich, Benjamin Britten5 Stücke im Volkston, Op. 102: 3. Nicht schnell, mit viel Ton zu spielenRobert Schumann, Mstislav Rostropovich, Benjamin BrittenA Major011B71 BPM
Carnival Overture, Op. 92 by Antonín Dvořák, Leonard Bernstein, New York PhilharmonicCarnival Overture, Op. 92Antonín Dvořák, Leonard Bernstein, New York PhilharmonicD Major310B145 BPM
Debussy: Syrinx, L. 129 by Claude Debussy, Emmanuel PahudDebussy: Syrinx, L. 129Claude Debussy, Emmanuel PahudB Major01B165 BPM
Brandenburg Concerto No. 6 in B flat, BWV 1051: 1. -- by Johann Sebastian Bach, English Chamber Orchestra, Benjamin BrittenBrandenburg Concerto No. 6 in B flat, BWV 1051: 1. --Johann Sebastian Bach, English Chamber Orchestra, Benjamin BrittenB♭ Major16B109 BPM
Variations On An Original Theme, Op.36 Variations On An Original Theme, Op.36 "Enigma": 13. Romanza *** (Moderato)Edward Elgar, BBC Symphony Orchestra, Leonard BernsteinA♭ Major04B87 BPM
Aleko: Intermezzo by Sergei Rachmaninoff, Berliner Philharmoniker, Lorin MaazelAleko: IntermezzoSergei Rachmaninoff, Berliner Philharmoniker, Lorin MaazelB♭ Major06B90 BPM
Sibelius: Symphony No. 5 in E-Flat Major, Op. 82: III. Allegro molto - Un pochettino largamente by Jean Sibelius, Herbert von Karajan, Philharmonia OrchestraSibelius: Symphony No. 5 in E-Flat Major, Op. 82: III. Allegro molto - Un pochettino largamenteJean Sibelius, Herbert von Karajan, Philharmonia OrchestraA♭ Major14B79 BPM
Capriol Suite: 1. Basse-danse by Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville MarrinerCapriol Suite: 1. Basse-dansePeter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville MarrinerD Minor27A133 BPM
Gloria, FP 144: 3. Domine Deus by Francis Poulenc, Kathleen Battle, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John OliverGloria, FP 144: 3. Domine DeusFrancis Poulenc, Kathleen Battle, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John OliverG Major19B130 BPM
Sibelius : Symphony No.5 in E flat major Op.82 : II Andante mosso, quasi allegretto by Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony OrchestraSibelius : Symphony No.5 in E flat major Op.82 : II Andante mosso, quasi allegrettoJean Sibelius, Sakari Oramo, City Of Birmingham Symphony OrchestraG Major09B142 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.792320966720581

End: 0.7992334365844727