"Romance Cantabile for Piano, Flute and Bassoon accompanied by Two Oboes and Strings in E Minor, Hess 13" by Ludwig van Beethoven, Patrick Gallois, Pascal Gallois, Myung-Whun Chung, Philharmonia Orchestra was released on October 9, 2021. With this song being about 5 minutes long, at 4:55, "Romance Cantabile for Piano, Flute and Bassoon accompanied by Two Oboes and Strings in E Minor, Hess 13" by Ludwig van Beethoven, Patrick Gallois, Pascal Gallois, Myung-Whun Chung, Philharmonia Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 267 out of 289 in Cosy Beethoven by Ludwig van Beethoven, Various Artists. Romance Cantabile for Piano, Flute and Bassoon accompanied by Two Oboes and Strings in E Minor, Hess 13 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Romance Cantabile for Piano, Flute and Bassoon accompanied by Two Oboes and Strings in E Minor, Hess 13 by Ludwig van Beethoven, Patrick Gallois, Pascal Gallois, Myung-Whun Chung, Philharmonia Orchestra is Adagio (slowly with great expression), since this song has a tempo of 71 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Minuet in G Major, WoO 10, No. 2 | Ludwig van Beethoven, I Musici | G Major | 1 | 9B | 95 BPM | ||
Carnaval, Op. 9: XII. Chopin | Robert Schumann, Daniil Trifonov | E Major | 0 | 12B | 68 BPM | ||
Kinderszenen, Op. 15: No. 7 in F Major, Träumerei | Robert Schumann, Ivan Moravec | F Major | 0 | 7B | 130 BPM | ||
3 Romances sans paroles, Op. 17: No. 3 in A-Flat Major (Arr. P. Gouin for Cello & Piano) | Gabriel Fauré, Jesper Svedberg, Simon Crawford-Phillips | A Major | 0 | 11B | 79 BPM | ||
Don Quixote, Op. 35, TrV 184: Theme | Richard Strauss, Oslo Philharmonic Orchestra, Vasily Petrenko, Louisa Tuck, Catherine Bullock | G Major | 0 | 9B | 129 BPM | ||
Symphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo) | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | B♭ Major | 2 | 6B | 147 BPM | ||
Serenade for Strings in E Major, Op. 22, B. 52: IV. Larghetto | Antonín Dvořák, Wiener Philharmoniker, Myung-Whun Chung | A Major | 1 | 11B | 79 BPM | ||
Keyboard Sonata in A Major, Wq. 54/6, H. 207: I. Allegro di molto | Carl Philipp Emanuel Bach, Ana-Marija Markovina | A Major | 1 | 11B | 0 BPM | ||
Nocturne No. 19 in E Minor, Op. 72, No. 1 | Frédéric Chopin, Benjamin Grosvenor | E Minor | 0 | 9A | 66 BPM | ||
Le bourgeois gentilhomme: Chaconne des Scaramouches, Frivelins et Arlequins | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 0 | 2B | 0 BPM |
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