Agustín Barrios Mangoré, Göran Söllscher's 'La Catedral: 1. Preludio. Lento' came out on January 1, 2003. The duration of La Catedral: 1. Preludio. Lento is about two minutes long, specifically at 2:14. This song does not appear to have any foul language. La Catedral: 1. Preludio. Lento's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 16 in the song's album "Rodrigo: Concierto de Aranjuez / Albeniz / Barrios / Villa-Lobos". In this album, this song's track order is #7. In terms of popularity, La Catedral: 1. Preludio. Lento is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With La Catedral: 1. Preludio. Lento by Agustín Barrios Mangoré, Göran Söllscher having a BPM of 94 with a half-time of 47 BPM and a double-time of 188 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
B Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Frontera de Dios: II. Meditacion | Regino Sáinz de la Maza, Franz Halász | E Minor | 1 | 9A | 117 BPM | ||
Asaggio - Arranged for Guitar by P.O. Johnson: Bourrée | Johan Helmich Roman, Göran Söllscher | B♭ Major | 2 | 6B | 93 BPM | ||
Carcassi op.60 n.2 moderato con espressivo | Matteo Carcassi, Lucio Matarazzo | A Minor | 5 | 8A | 105 BPM | ||
Suite Buenos Aires: No. 3, San Telmo | Maximo Diego Pujol, Csaba Szabo, Accord Quartet | E Minor | 2 | 9A | 99 BPM | ||
Studio No. 2 in G Major - for Guitar | Ferdinando Carulli, Bruno Giuffredi | G Major | 1 | 9B | 137 BPM | ||
The Seasons, Op. 37b: X. October: Autumn's Song (Arr. by Söllscher) | Pyotr Ilyich Tchaikovsky, Jian Wang, Göran Söllscher | E♭ Major | 3 | 5B | 109 BPM | ||
Sonate en ré mineur, K. 1: Allegro | Domenico Scarlatti, Thibault Cauvin | D Minor | 2 | 7A | 183 BPM | ||
Intabolatura de lauto: Fantasia XI in F | Francesco da Milano, Göran Söllscher | F Major | 3 | 7B | 93 BPM | ||
Homenaje a Tarrega: II. Soleares | Joaquín Turina, Sebastien Llinares | D Major | 1 | 10B | 148 BPM | ||
Carcassi Op.26 N.4 Allegro | Matteo Carcassi, Lucio Matarazzo | A Minor | 3 | 8A | 140 BPM |
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