"Violin Concerto No. 5 in D Major, Op. 55: II. Adagio" by Charles-Auguste de Bériot, Philippe Quint, Slovak Radio Symphony Orchestra, Kirk Trevor was released on August 26, 2008. The duration of Violin Concerto No. 5 in D Major, Op. 55: II. Adagio is about 3 minutes long, at 3:22. Based on our data, "Violin Concerto No. 5 in D Major, Op. 55: II. Adagio" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 8 out of 9 in Beriot, C.-A. De: Violin Concertos Nos. 2, 3 and 5 by Charles-Auguste de Bériot, Philippe Quint, Kirk Trevor. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Violin Concerto No. 5 in D Major, Op. 55: II. Adagio is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Violin Concerto No. 5 in D Major, Op. 55: II. Adagio by Charles-Auguste de Bériot, Philippe Quint, Slovak Radio Symphony Orchestra, Kirk Trevor is Andante (at a walking pace), since this song has a tempo of 87 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Morceaux de fantaisie, Op. 3: 5 Morceaux de fantasie, Op. 3: No. 2. Prelude in C-Sharp Minor | Sergei Rachmaninoff, Eldar Nebolsin | A Major | 1 | 11B | 91 BPM | ||
Violin Concerto No. 2 in B Minor, Op. 32: II. Andantino | Charles-Auguste de Bériot, Laurent Albrecht Breuninger, Nordwestdeutsche Philharmonie, Frank Beermann | G Major | 1 | 9B | 112 BPM | ||
Lo frate 'nnamorato: II. Andante | Giovanni Battista Pergolesi, Orchestra da Camera di Napoli, Enzo Amato | E Minor | 5 | 9A | 165 BPM | ||
Cello Sonata in G Minor, Op. 19: IV. Allegro mosso | Sergei Rachmaninoff, Gautier Capuçon, Yuja Wang | G Major | 1 | 9B | 77 BPM | ||
Scherzo-Tarantelle, Op. 16 | Henryk Wieniawski, Kyung Wha Chung, Phillip Moll | D Major | 2 | 10B | 107 BPM | ||
Allegro molto in C Minor | Fanny Mendelssohn, Heather Schmidt | F Minor | 2 | 4A | 79 BPM | ||
Cello Sonata in D Minor, Op. 40: II. Allegro | Dmitri Shostakovich, Dmitry Yablonsky, Ekaterina Saranceva | B♭ Minor | 4 | 3A | 0 BPM | ||
Duo Concertant for 2 Violins No. 3 in D-Sharp Major, Op. 57: III. Allegretto | Charles-Auguste de Bériot, Bohumil Kotmel, Pavel Hula | A Major | 1 | 11B | 125 BPM | ||
Double Concerto in A Minor, Op. 102 for Violin, Cello and Orchestra: III. Vivace non troppo | Johannes Brahms, Joshua Bell, Steven Isserlis, Academy of St. Martin in the Fields | A Minor | 2 | 8A | 86 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1062: I. - Allegro | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 4 | 5A | 106 BPM |
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