Frank O'Hara made "Adieu to Norman, Bon Jour to Joan and Jean-Paul" available on December 16, 2013. The duration of Adieu to Norman, Bon Jour to Joan and Jean-Paul is about 3 minutes long, at 3:00. Based on our data, "Adieu to Norman, Bon Jour to Joan and Jean-Paul" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 4 out of 19 in Frank O'Hara Reads His Poems by Frank O'Hara. Adieu to Norman, Bon Jour to Joan and Jean-Paul is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Adieu to Norman, Bon Jour to Joan and Jean-Paul by Frank O'Hara is Andante (at a walking pace), since this song has a tempo of 82 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Solitude | motivational speech, SLAP HOUSE MAFIA, 777Muzic | B♭ Minor | 2 | 3A | 85 BPM | ||
Activists | Megatron2x | E Minor | 5 | 9A | 161 BPM | ||
Signed to the Streets | Sauve2x | G Minor | 5 | 6A | 131 BPM | ||
Thicktok | YB Better | D♭ Major | 6 | 3B | 88 BPM | ||
The Sonnets: Sonnet 1: From Fairest Creatures We Desire Increase | William Shakespeare, Margaret Howard, Bernard Palmer | E Minor | 1 | 9A | 98 BPM | ||
The Love Song of J. Alfred Prufrock | T. S. Eliot | C Major | 1 | 8B | 101 BPM | ||
Piss And Shit | Charles Bukowski | D♭ Major | 4 | 3B | 95 BPM | ||
Lines Written in Early Spring | Stephen Murray, William Wordsworth | D♭ Major | 3 | 3B | 0 BPM | ||
I'm Here | Pimp G | F♯ Minor | 1 | 11A | 115 BPM | ||
Slaughterhouse 5, Pt. 4 | Kurt Vonnegut | B♭ Major | 1 | 6B | 120 BPM |
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