Laurence Cottle, Ian Thomas's 'Sweet Seduction' came out on April 26, 1994. The duration of Sweet Seduction is about two minutes long, specifically at 2:18. This song does not appear to have any foul language. Sweet Seduction's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 22 in the song's album "The Rhythm Has It". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Sweet Seduction's popularity is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
With Sweet Seduction by Laurence Cottle, Ian Thomas having a BPM of 120 with a half-time of 60 BPM and a double-time of 240 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Canon and Gigue in D Major, P. 37: I. Canon (Arranged by Charl du Plessis) | Johann Pachelbel, Charl du Plessis Trio | C Major | 0 | 8B | 140 BPM | ||
Jazz Sandwich | John Rowcroft, London Studio Big Band | G Major | 5 | 9B | 99 BPM | ||
Trombonology | Tommy Dorsey, Sid Cooper, Joseph Alessi, Imperial Brass | F Major | 5 | 7B | 108 BPM | ||
Melodies Echoing Across Time | Lily Oakmont | F Major | 3 | 7B | 62 BPM | ||
L'adolescente | Eugen Cicero | G Minor | 3 | 6A | 138 BPM | ||
Brand New Ending | Nils Wülker, Munich Radio Orchestra, Patrick Hahn | E♭ Minor | 3 | 2A | 74 BPM | ||
Chorale No. 1 (Sleepers Wake) | Jacques Loussier, Vincent Charbonnier, André Arpino | F Minor | 1 | 4A | 81 BPM | ||
Vranjanka | Nenad Vasilic | G Major | 2 | 9B | 112 BPM | ||
Toot Suite: II. Mystique - Instrumental | Claude Bolling | B♭ Major | 3 | 6B | 88 BPM | ||
Hungarian Dances, WoO 1: No. 2 in D Minor, Allegro non assai | Johannes Brahms, Ludmila Peterková, Irina Kondratenko | D Minor | 1 | 7A | 142 BPM |
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