Joseph Haydn, Bamberg Philharmonic Studio Orchestra, Hans Swarowsky made "Symphony No. 87 in D Major, Hob. I-87: IV. Finale: Vivace" available on January 1, 2009. With this song being about 5 minutes long, at 4:32, "Symphony No. 87 in D Major, Hob. I-87: IV. Finale: Vivace" by Joseph Haydn, Bamberg Philharmonic Studio Orchestra, Hans Swarowsky is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Joseph Haydn, Various Artists's "Haydn: Symphony Nos. 87, 88 "The Letter V", 92 "Oxford Symphony" & 94 "Mit dem Paukenschlag"" album is number 4 out of 15. On top of that, United States appears to be the country where this track was created. The popularity of Symphony No. 87 in D Major, Hob. I-87: IV. Finale: Vivace is currently unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Symphony No. 87 in D Major, Hob. I-87: IV. Finale: Vivace by Joseph Haydn, Bamberg Philharmonic Studio Orchestra, Hans Swarowsky to be Vivace (lively and fast) because the track has a tempo of 161 BPM, a half-time of 80BPM, and a double-time of 322 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bassoon Concerto in F Major, WoO 23, S63: I. Allegro moderato | Johann Nepomuk Hummel, Claudio Gonella, Orchestra Internazionale D'Italia, Diego Dini Ciacci | F Major | 1 | 7B | 118 BPM | ||
Sinfonia in A Major: I. Presto | Giovanni Battista Sammartini, Capella Istropolitana, Jaroslav Krcek | A Major | 3 | 11B | 117 BPM | ||
Ouverture in D Major, "Darmstadt": Harlequinade | Georg Philipp Telemann, Cologne Chamber Orchestra, Helmut Muller-Bruhl | D♭ Major | 1 | 3B | 174 BPM | ||
Concerto No. 4 in G major, BWV 1049: I. Allegro | Johann Sebastian Bach, Freiburger Barockorchester | F Major | 2 | 7B | 99 BPM | ||
Symphony No. 7 in A major, Op. 92: III. Presto | Nicolaus Esterhazy Sinfonia | D Major | 1 | 10B | 93 BPM | ||
Adagio in F, H.XVII No.9 | Franz Joseph Haydn, Alfred Brendel | F Major | 0 | 7B | 71 BPM | ||
String Quartet No. 12 In F Major, Op. 96, B. 179 - "American": 2. Lento | Antonín Dvořák, Emerson String Quartet | D Minor | 1 | 7A | 104 BPM | ||
Polovtsian Dances From Prince Igor: Dance Of The Polovtsian Maidens | Alexander Borodin, Berliner Philharmoniker, Herbert von Karajan | F Minor | 1 | 4A | 62 BPM | ||
Symphony in C Major, Op. 3, No. 2, W. C2: III. Allegro assai | Johann Christian Bach, Camerata De Budapest, Hanspeter Gmür | C Major | 1 | 8B | 73 BPM | ||
Lieder ohne Worte, Op.19: No. 5 In F Sharp Minor (Agitato), MWV U 90 - "Restlessness" | Felix Mendelssohn, Daniel Barenboim | F♯ Minor | 1 | 11A | 128 BPM |
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