La Capella Reial De Catalunya's 'Messe in H-moll, BWV 232: Credo in unum Deum' came out on 2012. The duration of Messe in H-moll, BWV 232: Credo in unum Deum is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. Messe in H-moll, BWV 232: Credo in unum Deum's duration is considered a little bit shorter than the average duration of a typical track. The song is number 13 out of 27 in Bach: Messe in H-moll, BWV 232 by La Capella Reial De Catalunya, Jordi Savall. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Messe in H-moll, BWV 232: Credo in unum Deum is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Messe in H-moll, BWV 232: Credo in unum Deum by La Capella Reial De Catalunya is Andante (at a walking pace), since this song has a tempo of 92 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata "Follia" Op. 5, No. 12: Adagio | Arcangelo Corelli, Stephen Stubbs, Maxine Eilander, Erin Headley, Milos Valent | D♭ Minor | 0 | 12A | 82 BPM | ||
Qual Lege Move | Bartolino da Padova, Ensemble Syntagma, Alexandre Danilevski | E Major | 1 | 12B | 141 BPM | ||
Falla con misuras | Guglielmo Ebreo da Pesaro, Capilla Flamenca | E Minor | 0 | 9A | 84 BPM | ||
Lachrimae Antiquae from Lachrimae, or Seaven Teares | John Dowland, Fretwork, Christopher Wilson | G Minor | 0 | 6A | 97 BPM | ||
The Dancing Master: Come live with me and be my love | John Playford, The Broadside Band, Jeremy Barlow | C Major | 0 | 8B | 75 BPM | ||
Susato: 12 Dances from the Danserye: III. Ronde and Salterelie | Tylman Susato, David Munrow | F Major | 2 | 7B | 112 BPM | ||
Oy comamos y bebamos: Hoy comamos y bebamos | Juan del Encina, Accentus Ensemble, Thomas Wimmer | D Major | 2 | 10B | 142 BPM | ||
Spagnoletta | Michael Praetorius, Atrium Musicae de Madrid, Gregorio Paniagua | B♭ Major | 1 | 6B | 70 BPM | ||
Mistresse Nichols Almand | John Dowland, The Rose Consort Of Viols, Jacob Heringman | A♭ Major | 0 | 4B | 114 BPM | ||
Lachrimae Antiquae Novae from Lachrimae, or Seaven Teares | John Dowland, Fretwork | G Minor | 0 | 6A | 113 BPM |
Section: 0.6135897636413574
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