Tchaikovsky / Arr. Kreisler: Andante cantabile for Violin and Orchestra (After String Quartet No. 1, Op. 11) - Pyotr Ilyich Tchaikovsky, Itzhak Perlman, Janet Goodman Guggenheim Information

Acousticness: 94%
Danceability: 17%
Energy: 17%
Instrumentalness: 10%
Liveness: 72%
Loudness: 63%
Speechiness: 6%
Valence: 14%
Popularity: 3%
Loudness: -22.249 dB

Summary

"Tchaikovsky / Arr. Kreisler: Andante cantabile for Violin and Orchestra (After String Quartet No. 1, Op. 11)" by Pyotr Ilyich Tchaikovsky, Itzhak Perlman, Janet Goodman Guggenheim was released on December 3, 1990. With this song being about 5 minutes long, at 4:57, "Tchaikovsky / Arr. Kreisler: Andante cantabile for Violin and Orchestra (After String Quartet No. 1, Op. 11)" by Pyotr Ilyich Tchaikovsky, Itzhak Perlman, Janet Goodman Guggenheim is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 10 in the song's album "Tchaikovsky: Violin Concerto etc.Violin Concerto". In this album, this song's track order is #9. Tchaikovsky / Arr. Kreisler: Andante cantabile for Violin and Orchestra (After String Quartet No. 1, Op. 11) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Tchaikovsky / Arr. Kreisler: Andante cantabile for Violin and Orchestra (After String Quartet No. 1, Op. 11) BPM

With Tchaikovsky / Arr. Kreisler: Andante cantabile for Violin and Orchestra (After String Quartet No. 1, Op. 11) by Pyotr Ilyich Tchaikovsky, Itzhak Perlman, Janet Goodman Guggenheim having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.

Tchaikovsky / Arr. Kreisler: Andante cantabile for Violin and Orchestra (After String Quartet No. 1, Op. 11) Key

This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Zdes' khorosho ('How Fair This Spot'), Op. 21, No. 7	Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin	A Major	0	11B	87 BPM
Waltz No. 6 in D-Flat Major, Op. 64, No. 1 "Minute"	Frédéric Chopin, Alice Sara Ott	A♭ Major	0	4B	169 BPM
Piano Concerto No. 2 in F Major, Op. 102: II. Andante	Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich	C Minor	0	5A	177 BPM
Les saisons (The Seasons), Op. 37b: XI. November: Troika	Ilya Rachkovsky	E Major	0	12B	74 BPM
Symphony No. 8 in G Minor, Op. 88, B. 163: III. Allegretto grazioso - Molto vivace	Antonín Dvořák, London Symphony Orchestra, Sir Colin Davis	G Major	1	9B	130 BPM
Raymonda, Act III: Variation 3	Alexander Glazunov, English National Ballet Philharmonic, Gavin Sutherland	D Major	0	10B	73 BPM
Symphony No. 8 in G Major, Op. 88, B. 163 (Arr. P. Breiner for Piano): III. Allegretto grazioso	Antonín Dvořák, Peter Breiner	G Major	1	9B	179 BPM
Salut d'amour, Op. 12	Edward Elgar, Sueye Park, Love Derwinger	E Major	1	12B	83 BPM
Etude in D-Sharp Minor, Op. 8, No. 12: Patetico - Remastered	Alexander Scriabin, Vladimir Horowitz	D♭ Minor	3	12A	72 BPM
Vocalise, Op. 34, No. 14	Sergei Rachmaninoff, Berliner Philharmoniker, Lorin Maazel	E Minor	1	9A	76 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.7806079387664795

End: 0.7846746444702148