Tchaikovsky / Arr. Kreisler: Andante cantabile for Violin and Orchestra (After String Quartet No. 1, Op. 11) - Pyotr Ilyich Tchaikovsky, Itzhak Perlman, Janet Goodman Guggenheim Information

Acousticness: 94%
Danceability: 17%
Energy: 17%
Instrumentalness: 10%
Liveness: 72%
Loudness: 63%
Speechiness: 6%
Valence: 14%
Popularity: 3%
Loudness: -22.249 dB

Summary

"Tchaikovsky / Arr. Kreisler: Andante cantabile for Violin and Orchestra (After String Quartet No. 1, Op. 11)" by Pyotr Ilyich Tchaikovsky, Itzhak Perlman, Janet Goodman Guggenheim was released on December 3, 1990. With this song being about 5 minutes long, at 4:57, "Tchaikovsky / Arr. Kreisler: Andante cantabile for Violin and Orchestra (After String Quartet No. 1, Op. 11)" by Pyotr Ilyich Tchaikovsky, Itzhak Perlman, Janet Goodman Guggenheim is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 10 in the song's album "Tchaikovsky: Violin Concerto etc.Violin Concerto". In this album, this song's track order is #9. Tchaikovsky / Arr. Kreisler: Andante cantabile for Violin and Orchestra (After String Quartet No. 1, Op. 11) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Tchaikovsky / Arr. Kreisler: Andante cantabile for Violin and Orchestra (After String Quartet No. 1, Op. 11) BPM

With Tchaikovsky / Arr. Kreisler: Andante cantabile for Violin and Orchestra (After String Quartet No. 1, Op. 11) by Pyotr Ilyich Tchaikovsky, Itzhak Perlman, Janet Goodman Guggenheim having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.

Tchaikovsky / Arr. Kreisler: Andante cantabile for Violin and Orchestra (After String Quartet No. 1, Op. 11) Key

This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Kinderszenen, Op. 15: 7. Träumerei	Robert Schumann, Martha Argerich	F Major	0	7B	130 BPM
Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico	Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig	G Major	2	9B	90 BPM
Andante Festivo	Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi	G Major	1	9B	86 BPM
Carmen Suite No. 1 (Arr. E. Guiraud): I. Prélude	Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González	G Minor	2	6A	114 BPM
Kinderszenen, Op.15: 1. Von fremden Ländern und Menschen	Robert Schumann, Martha Argerich	G Major	0	9B	128 BPM
Ballabile	Blagoje Bersa, Goran Filipec	A Minor	2	8A	0 BPM
Messiah, HWV 56, Part I: Pastoral Symphony, "Pifa" (arr. L. Stokowski)	George Frideric Handel, Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier	C Major	0	8B	92 BPM
Sonata for Violin and Guitar in D Major, Op. 2, No. 5, MS 26: Allegro spiritoso	Niccolò Paganini, Scott St. John, Simon Wynberg	D Major	1	10B	86 BPM
Tchaikovsky: Swan Lake, Op. 20, Act I: No. 4, Pas de trois	Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra	B♭ Major	1	6B	119 BPM
21 Hungarian Dances, WoO 1: Hungarian Dance No. 5 in F-Sharp Minor	Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz	G Minor	1	6A	83 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.8068022727966309

End: 0.8107490539550781