"French Suite No. 1 in D Minor, BWV 812: III. Sarabande" by Johann Sebastian Bach, Murray Perahia was released on October 7, 2016. The duration of French Suite No. 1 in D Minor, BWV 812: III. Sarabande is about two minutes long, specifically at 2:54. This song does not appear to have any foul language. French Suite No. 1 in D Minor, BWV 812: III. Sarabande's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Johann Sebastian Bach, Murray Perahia's "Johann Sebastian Bach: The French Suites" album is number 3 out of 39. In terms of popularity, French Suite No. 1 in D Minor, BWV 812: III. Sarabande is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of French Suite No. 1 in D Minor, BWV 812: III. Sarabande by Johann Sebastian Bach, Murray Perahia to be Moderato (at a moderate speed) because the track has a tempo of 109 BPM, a half-time of 54BPM, and a double-time of 218 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Music: Prelude In E Flat Minor - The Well-tempered Clavier, Book I | John Shrapnel, Jeremy Siepmann, Johann Sebastian Bach | A♭ Minor | 0 | 1A | 139 BPM | ||
8 Pièces brèves, Op. 84: No. 5, Improvisation in C-Sharp Minor | Gabriel Fauré, Christine Croshaw | F♯ Minor | 0 | 11A | 70 BPM | ||
Dvořák: 4 Romantic Pieces, Op. 75, B. 150: No. 2, Allegro maestoso | Antonín Dvořák, Renaud Capuçon, Khatia Buniatishvili | D Minor | 2 | 7A | 110 BPM | ||
Mendelssohn: String Quartet No. 6 in F Minor, Op. 80, MWV R37: III. Adagio | Felix Mendelssohn, Artemis Quartet | D Major | 1 | 10B | 126 BPM | ||
6 Moments musicaux, Op. 94, D. 780: 3. Allegro moderato | Franz Schubert, Alfred Brendel | G Minor | 0 | 6A | 103 BPM | ||
Kinderszenen, Op.15: 4. Bittendes Kind | Robert Schumann, Martha Argerich | D Major | 0 | 10B | 113 BPM | ||
Cello Concerto in B flat, G.482: 2. Adagio non Troppo | Luigi Boccherini, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd | G Minor | 1 | 6A | 90 BPM | ||
Symphony in B-Flat Major, Brown I:B2: II. Andante | Karl von Ordóñez, L'Arte del mondo, Werner Ehrhardt | E♭ Major | 0 | 5B | 129 BPM | ||
Devienne: Flute Concerto No. 7 in E Minor: II. Adagio | Francois Devienne, Emmanuel Pahud, Kammerorchester Basel, Giovanni Antonini | G Major | 0 | 9B | 84 BPM | ||
Suite No. 5 in E Major, HWV 430: I. Prelude | George Frideric Handel, Murray Perahia | E Major | 1 | 12B | 127 BPM |
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