"Konzert Für Flöte, Orchester Und Generalbass In G-moll, La Notte, Rv 439 (Vi, 13) - : Largo Ii Sonno" by Simon Preston was released on June 1, 1990. With Konzert Für Flöte, Orchester Und Generalbass In G-moll, La Notte, Rv 439 (Vi, 13) - : Largo Ii Sonno being less than two minutes long, at 1:34, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 15 out of 25 in Antonio Vivaldi: Flötenkonzerte, Oboenkonzerte by Philippe Racine. In terms of popularity, Konzert Für Flöte, Orchester Und Generalbass In G-moll, La Notte, Rv 439 (Vi, 13) - : Largo Ii Sonno is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Konzert Für Flöte, Orchester Und Generalbass In G-moll, La Notte, Rv 439 (Vi, 13) - : Largo Ii Sonno by Simon Preston is Moderato (at a moderate speed), since this song has a tempo of 119 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerti grossi a quatro e sei strumenti, Op. 7, Libro secondo, Concerto No. 11 in A Minor: IV. Allegro e solo | Giuseppe Valentini, Ensemble 415, Chiara Banchini, Olivia Centurioni, Odile Edouard, David Plantier, David Courvoisier, Alain Gervreau | D♭ Minor | 3 | 12A | 132 BPM | ||
Finlandia, Op. 26, No. 7 | Jean Sibelius, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 3 | 4B | 67 BPM | ||
Gloria in D, R.589: 3. Laudamus te | Antonio Vivaldi, Judith Nelson, Emma Kirkby, Academy of Ancient Music, Simon Preston | F♯ Major | 1 | 2B | 91 BPM | ||
Trumpet Tune in C Major, ZT 697 (Arr. for Brass Ensemble and Organ) | Henry Purcell, The Michael Laird Brass Ensemble, Peter Hurford | D Major | 1 | 10B | 99 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | C Major | 1 | 8B | 68 BPM | ||
Handel: Organ Concerto in F Major, Op. 4 No. 4, HWV 292: IV. Allegro | George Frideric Handel, Valda Aveling, Menuhin Festival Orchestra, Simon Preston, Yehudi Menuhin | G Minor | 4 | 6A | 97 BPM | ||
Trumpet Concerto in E-Flat Major, Hob. VIIe:1: II. Andante | Joseph Haydn, Alison Balsom, Thomas Klug, Deutsche Kammerphilharmonie Bremen | D Minor | 1 | 7A | 179 BPM | ||
Les Folies d'Espagne | Jean-Baptiste Lully, Musica Antiqua Köln, Reinhard Goebel | D♭ Minor | 0 | 12A | 108 BPM | ||
Symphony No. 4 in F Major: 1. Allegro | William Boyce, Academy of Ancient Music, Christopher Hogwood | E Major | 2 | 12B | 95 BPM | ||
Trumpet Concerto in E Flat, H.VIIe/1: 3. Allegro | Joseph Haydn, Håkan Hardenberger, Academy of St. Martin in the Fields, Sir Neville Marriner | A♭ Major | 0 | 4B | 169 BPM |
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