Tbilisi Symphony Orchestra, Vakhtang Kakhidze's 'Romeo and Juliet, Op. 64 : Scene (Suite No.1, Op.64b, No.2)' came out on January 1, 2003. With Romeo and Juliet, Op. 64 : Scene (Suite No.1, Op.64b, No.2) being less than two minutes long, at 1:53, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 19 in the song's album "Prokofiev, Ballet Highlights; Stravinsky, Ballet Highlights". In this album, this song's track order is #1. In terms of popularity, Romeo and Juliet, Op. 64 : Scene (Suite No.1, Op.64b, No.2) is currently unknown. Although the overall vibe is very danceable, it does project more negative sounds.
With Romeo and Juliet, Op. 64 : Scene (Suite No.1, Op.64b, No.2) by Tbilisi Symphony Orchestra, Vakhtang Kakhidze having a BPM of 102 with a half-time of 51 BPM and a double-time of 204 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for Viola and String Orchestra: I. Largo | Georg Philipp Telemann, Lithuanian Chamber Orchestra | D Major | 3 | 10B | 148 BPM | ||
Violin Concerto in D Minor, Op.47 (1985 - Remaster): II. Adagio di molto | Jean Sibelius, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra | B♭ Major | 1 | 6B | 87 BPM | ||
Three fantasy pieces for Cello and Piano, Op. 73 : II. Lebhaft, leicht (Vivo leggiero) | Boris Novichikhin, Natalia Baikova, Boris Novichikhin | A Major | 1 | 11B | 78 BPM | ||
Symphony No. 5 in C Minor, Op. 67 "Fate": I. Allegro Con Brio | Tbilisi Symphony Orchestra, Jansug Kakhidze | C Major | 3 | 8B | 84 BPM | ||
Summer Night On The River | Frederick Delius, Barry Wordsworth, London Symphony Orchestra | A Major | 0 | 11B | 80 BPM | ||
Let Me Dream | Max Hixon | A Major | 8 | 11B | 92 BPM | ||
II. Andantino (cadenza: Pillney) | Wolfgang Amadeus Mozart, James Galway, Fritz Helmis, Berliner Philharmoniker, Herbert von Karajan | F Major | 1 | 7B | 112 BPM | ||
Concertstuck in F Major, Op. 86: III. Sehr Lebhaft | Robert Schumann, American Horn Quartet, Sinfonia Varsovia, Dariusz Wisniewski | F Major | 1 | 7B | 134 BPM | ||
Die Zauberflöte (The Magic Flute), K. 620 : Overture (excerpt) | Tbilisi Symphony Orchestra, Vakhtang Kakhidze | E♭ Major | 2 | 5B | 82 BPM | ||
Romeo and Juliet, Op. 64 : Friar Laurence (Suite No.2, Op.64c, No.2a) | Tbilisi Symphony Orchestra, Vakhtang Kakhidze | B♭ Major | 0 | 6B | 93 BPM |
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