Piano Sonata No. 2, "Concord, Mass": III. The Alcotts (arr. J. Elkus) - Charles Ives, Jonathan Elkus, University of Kansas Wind Ensemble, John P. Lynch Information

Acousticness: 97%
Danceability: 12%
Energy: 7%
Instrumentalness: 94%
Liveness: 8%
Loudness: 70%
Speechiness: 4%
Valence: 6%
Popularity: 0%
Loudness: -17.925 dB

Summary

"Piano Sonata No. 2, "Concord, Mass": III. The Alcotts (arr. J. Elkus)" by Charles Ives, Jonathan Elkus, University of Kansas Wind Ensemble, John P. Lynch was released on April 18, 2006. Piano Sonata No. 2, "Concord, Mass": III. The Alcotts (arr. J. Elkus) is about six minutes long, preciously at 5:46, making this song fairly long compared to other songs. The track order of this song in University of Kansas Wind Ensemble's "Mackey: Redline Tango / Mower: Flute Concerto / Pann: Slalom" album is number 2 out of 7. Piano Sonata No. 2, "Concord, Mass": III. The Alcotts (arr. J. Elkus) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Piano Sonata No. 2, "Concord, Mass": III. The Alcotts (arr. J. Elkus) BPM

We consider the tempo marking of Piano Sonata No. 2, "Concord, Mass": III. The Alcotts (arr. J. Elkus) by Charles Ives, Jonathan Elkus, University of Kansas Wind Ensemble, John P. Lynch to be Andante (at a walking pace) because the track has a tempo of 88 BPM, a half-time of 44BPM, and a double-time of 176 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.

Piano Sonata No. 2, "Concord, Mass": III. The Alcotts (arr. J. Elkus) Key

E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Songs of Separation: II. Burning Hell	Carlos Simon, Gianandrea Noseda, J'nai Bridges, National Symphony Orchestra, Kennedy Center	A♭ Major	3	4B	87 BPM
Bartók: String Quartet No. 3 in C-Sharp Minor, Sz. 85: I. Prima parte. Moderato	Béla Bartók, Belcea Quartet	B♭ Minor	1	3A	89 BPM
Two Pieces for Cello and Piano (1899 Version, Ed. Piatigorsky): 1. Langsam - Live at Schloss Elmau, Krün / 2016	Anton Webern, Mischa Maisky, Lily Maisky	G Major	0	9B	93 BPM
Eine Alpensinfonie: I. Nacht - Sonnenaufgang	Richard Strauss, Bernard Haitink, London Symphony Orchestra	B♭ Minor	0	3A	88 BPM
The Housatonic at Stockbridge	Charles Ives, Victoria Villamil, Joel Sachs, Cheryl Seltzer, Continuum	D♭ Major	0	3B	96 BPM
Piano Concerto No. 1, Op. 45: I. Con grandezza	Einojuhani Rautavaara, Laura Mikkola, Royal Scottish National Orchestra, Hannu Lintu	G Major	1	9B	70 BPM
Symphony No. 2: IV. Lento maestoso	Charles Ives, Los Angeles Philharmonic, Gustavo Dudamel	E Minor	1	9A	73 BPM
Cello Concerto 'Earth, Sea, Air': II. Sea	Cheryl Frances-Hoad, Laura van der Heijden, BBC Scottish Symphony Orchestra, Ryan Wigglesworth	D Major	3	10B	85 BPM
Taktakishvili: Sonata: Aria: Moderato con moto	Otar Taktakishvili, Brian Luce, Rex Woods	D Minor	1	7A	95 BPM
Lutoslawski : Symphony No.3 : I Vivo - Lento	Witold Lutosławski, Daniel Barenboim, Chicago Symphony Orchestra	C Major	0	8B	131 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.7669413089752197

End: 0.7721421718597412