"Mozart: Mitridate, rè di Ponto, K. 87, Act 3: "Ah ben ne fui presaga" (Aspasia)" by Wolfgang Amadeus Mozart, Marc Minkowski, Julie Fuchs, Les Musiciens du Louvre was released on October 29, 2021. Since Mozart: Mitridate, rè di Ponto, K. 87, Act 3: "Ah ben ne fui presaga" (Aspasia) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Wolfgang Amadeus Mozart, Michael Spyres, Sabine Devieilhe, Elsa Dreisig, Marc Minkowski, Les Musiciens du Louvre's "Mozart: Mitridate, rè di Ponto" album is number 49 out of 60. Mozart: Mitridate, rè di Ponto, K. 87, Act 3: "Ah ben ne fui presaga" (Aspasia) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mozart: Mitridate, rè di Ponto, K. 87, Act 3: "Ah ben ne fui presaga" (Aspasia) by Wolfgang Amadeus Mozart, Marc Minkowski, Julie Fuchs, Les Musiciens du Louvre to be Andante (at a walking pace) because the track has a tempo of 87 BPM, a half-time of 44BPM, and a double-time of 174 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
The music key of this track is B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pièces de Clavecin, Livre II, 6e ordre: V. Les Baricades Mistérieuses | François Couperin, Alexandre Tharaud | B♭ Major | 1 | 6B | 111 BPM | ||
Nocturne No.14 In F Sharp Minor, Op.48 No.2 | Frédéric Chopin, Maurizio Pollini | D♭ Major | 0 | 3B | 75 BPM | ||
Piano Concerto No. 21 in C Major, K.467: III. Allegro vivace assai | Wolfgang Amadeus Mozart, Paul Badura-Skoda, Jan Lisiecki, Bavarian Radio Symphony Orchestra, Christian Zacharias | C Major | 1 | 8B | 139 BPM | ||
Haydn: Cello Concerto No. 2 in D Major, Hob. VIIb:2: III. Rondo. Allegro | Joseph Haydn, Frédéric Lodéon, Theodor Guschlbauer, Bournemouth Sinfonietta | B♭ Major | 0 | 6B | 183 BPM | ||
Chopin: 12 Etudes, Op. 25: No. 1 in A-Flat Major, "Aeolian Harp" | Frédéric Chopin, Nikolai Lugansky | A♭ Major | 0 | 4B | 66 BPM | ||
Concerto No. 4 in G major, BWV 1049: I. Allegro | Johann Sebastian Bach, Freiburger Barockorchester | F Major | 2 | 7B | 99 BPM | ||
The 4 Seasons: Violin Concerto in G minor, Op. 8, No. 2, RV 315, "L'estate" (Summer): II. Adagio - Presto | Karoly Botvay | G Minor | 0 | 6A | 87 BPM | ||
Kinderszenen, Op.15: 1. Von fremden Ländern und Menschen | Robert Schumann, Martha Argerich | G Major | 0 | 9B | 128 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 11 in D Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | A Minor | 0 | 8A | 76 BPM | ||
Fantasia in D Minor, K. 397 | Wolfgang Amadeus Mozart, Kun-Woo Paik | C Major | 3 | 8B | 103 BPM |
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