"Motet du très St Sacrement: V. Récitatif: In hac enim caelesti mensa" by Nicolas Bernier, Ensemble Battistin, Sara Macliver was released on July 7, 2007. With Motet du très St Sacrement: V. Récitatif: In hac enim caelesti mensa being less than two minutes long, at 1:05, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 21 in the song's album "The Concert Français (The Perfection of Music, Masterpieces of the French Baroque, Vol. II)". In this album, this song's track order is #19. Furthermore, we believe that the track originated from Australia. In terms of popularity, Motet du très St Sacrement: V. Récitatif: In hac enim caelesti mensa is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Motet du très St Sacrement: V. Récitatif: In hac enim caelesti mensa by Nicolas Bernier, Ensemble Battistin, Sara Macliver having a BPM of 101 with a half-time of 50 BPM and a double-time of 202 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of E♭ Minor. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
18 Sonatas, Op. 2: No. 1, La Cornara | Giovanni Legrenzi, Harmonia Urbis, Marco Silvi | A♭ Minor | 1 | 1A | 116 BPM | ||
Christ lag in Todesbanden: I. Sonata | Johann Kuhnau, Paul Agnew, Les Arts Florissants | E Major | 4 | 12B | 101 BPM | ||
The Lord is a sun and a shield: No. 5, Chorus "Blessed be the Lord God of Israel" | William Croft, RIAS Kammerchor, Akademie für Alte Musik Berlin, Justin Doyle | A Minor | 1 | 8A | 84 BPM | ||
Gagliarda Terza detta la Talianella | The Royal Wind Music | A♭ Major | 1 | 4B | 169 BPM | ||
Suite in A Major, BWV 1025: III. Rondeau | Silvius Leopold Weiss, Johann Sebastian Bach, Emelie Roos, Dohyo Sol | B Minor | 0 | 10A | 127 BPM | ||
12 Concerti grossi After Corelli, No. 4 in F Major, H. 135: I. Adagio | Francesco Geminiani, Boston Baroque, Martin Pearlman | D♭ Minor | 1 | 12A | 132 BPM | ||
Overture-Suite in D Major, TWV 55:D1: III. Air 2: Vivace | Georg Philipp Telemann, The English Concert, Trevor Pinnock | A♭ Major | 1 | 4B | 150 BPM | ||
Membra Jesu nostri, BuxWV 75: IIIc. Ad manus: Manus sanctae, vos amplector | Dietrich Buxtehude, Roberto Balconi, Daniele Carnovich, Mario Cecchetti, Roberta Invernizzi, Caterina Trogu, Radio Svizzera Choir, Lugano, Sonatori de la Gioiosa Marca, Accademia Instrumentale Italiana, Diego Fasolis | F♯ Minor | 2 | 11A | 100 BPM | ||
Pavane d'Angleterre – Galliarde - 6. Livre de Danceries - Branles de Pictou - 5. Livre de Danceries | İzmir Barok | D♭ Minor | 4 | 12A | 121 BPM | ||
Der Herr ist König, TWV 8:6: I. No. 6, Aria: Prahlet, Ihr Völker | Georg Philipp Telemann, Johann Sebastian Bach, Masaaki Suzuki, Bach Collegium Japan, Shimon Yoshida | E♭ Minor | 2 | 2A | 74 BPM |
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