Johann Nepomuk Hummel, Howard Shelley, London Mozart Players's 'Theme and Variations in F Major, Op. 97: Variation I' came out on February 1, 2001. With Theme and Variations in F Major, Op. 97: Variation I being less than two minutes long, at 1:09, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Johann Nepomuk Hummel, Howard Shelley, London Mozart Players's "Hummel: Piano Concertos" album is number 5 out of 14. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Theme and Variations in F Major, Op. 97: Variation I's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Theme and Variations in F Major, Op. 97: Variation I by Johann Nepomuk Hummel, Howard Shelley, London Mozart Players to be Allegro (fast, quick, and bright) because the track has a tempo of 144 BPM, a half-time of 72BPM, and a double-time of 288 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 1/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
5 German Dances with 7 Trios and Coda, D. 89: No. 2, German Dance in G Major | Franz Schubert, Daniel Hope, Zürcher Kammerorchester | C Minor | 0 | 5A | 96 BPM | ||
6 Nocturnes, Op. 186: No. 2, Allegretto, ma un poco vivo | Johann Wenzel Kalliwoda, Hiyoli Togawa, Lilit Grigoryan | C Major | 2 | 8B | 96 BPM | ||
Liszt Piano For Babies Hungarian Rhapsody Part Three | BABY LULLABIES | F♯ Major | 0 | 2B | 78 BPM | ||
Symphony in D Major, D. 13 "Non è bello quello che è bello mà quello che piace": I. Allegro | Leopold Mozart, Orchestra da Camera del Conservatorio di Mantova, Luca Bertazzi | D Major | 1 | 10B | 120 BPM | ||
ディヴェルティメント K.136~第2楽章(モーツァルト) | ベルリン室内管弦楽団 | G Major | 0 | 9B | 117 BPM | ||
Sonata in G Minor for Violin & Fortepiano, Op. 1a, G.078: II. Rondo gracioso | Joseph Boulogne Chevalier de Saint-Georges, Andrew McIntosh, Steven Vanhauwaert | G Major | 2 | 9B | 102 BPM | ||
Der Fischer und das Milchmädchen: XVII. Vivace | Giacomo Meyerbeer, Czech Philharmonic Chamber Orchestra, Dario Salvi | D Major | 1 | 10B | 77 BPM | ||
Symphony in C Major, F. 26: III. Presto | Josef Mysliveček, Matthias Bamert, London Mozart Players | C Major | 1 | 8B | 77 BPM | ||
Missa Solemnis in C Major, WoO 12, S74: Sanctus | Johann Nepomuk Hummel, David Griffiths, Zan McKendree-Wright, Patrick Power, Patricia Wright, TOWER Voices New Zealand, New Zealand Symphony Orchestra, Uwe Grodd | C Major | 1 | 8B | 143 BPM | ||
「コシ・ファン・トゥッテ」~序曲(W.A.モーツァルト) | Marcello Rota, Czech National Symphony Orchestra | C Major | 1 | 8B | 136 BPM |
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