Johann Sebastian Bach, Akademie für Alte Musik Berlin, Andreas Scholl, RIAS Kammerchor, René Jacobs made "The Pacified Aeolus: Chor "Zerreißet, Zersprenget, Zertrümmert Die Gruft"" available on 1996. The Pacified Aeolus: Chor "Zerreißet, Zersprenget, Zertrümmert Die Gruft" is about six minutes long, preciously at 5:32, making this song fairly long compared to other songs. The song is number 16 out of 43 in Bach: Secular Cantatas, BWV 201, 205 & 213 by Johann Sebastian Bach, René Jacobs, Akademie für Alte Musik Berlin, RIAS Kammerchor. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, The Pacified Aeolus: Chor "Zerreißet, Zersprenget, Zertrümmert Die Gruft" is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of The Pacified Aeolus: Chor "Zerreißet, Zersprenget, Zertrümmert Die Gruft" by Johann Sebastian Bach, Akademie für Alte Musik Berlin, Andreas Scholl, RIAS Kammerchor, René Jacobs is Andante (at a walking pace), since this song has a tempo of 107 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Haydn: String Quartet in C Major, Op. 76 No. 3, Hob. III:77 "Emperor": II. (a) Poco adagio, cantabile | Franz Joseph Haydn, Alban Berg Quartett | B♭ Major | 1 | 6B | 101 BPM | ||
Sonata in E Major, K. 380 | Domenico Scarlatti, Khatia Buniatishvili | B Major | 0 | 1B | 84 BPM | ||
Bach, JS: Brandenburg Concerto No. 6 in B-Flat Major, BWV 1051: II. Adagio ma non tanto | Johann Sebastian Bach, Monica Huggett, John Toll, Pavlo Beznosiuk, Richard Campbell, Richard Tunnicliffe, Sarah Cunningham, William Hunt, Orchestra of the Age of Enlightenment | D Major | 0 | 10B | 81 BPM | ||
Prelude In F Major, BWV 928 : Prelude In F Major, BWV 928 | Janos Sebestyen, Johann Sebastian Bach | F Major | 2 | 7B | 140 BPM | ||
Debussy: Piano Trio in G Major, L. 5: I. Andantino con moto allegro | Claude Debussy, Bertrand Chamayou | C Major | 1 | 8B | 80 BPM | ||
Concerto No. 4 in G major, BWV 1049: I. Allegro | Johann Sebastian Bach, Freiburger Barockorchester | F Major | 2 | 7B | 99 BPM | ||
Christmas Oratorio, BWV 248/1: Bereite dich, Zion (Alto) | Johann Sebastian Bach, Christian Friedrich Henrici, Marianne Beate Kielland, Alfredo Bernardini, Barokkanerne | F Major | 2 | 7B | 81 BPM | ||
Concerto in D Minor: II. Adagio | Alessandro Marcello, Johann Sebastian Bach, Céline Moinet, L'Arte del mondo, Werner Ehrhardt | D Minor | 0 | 7A | 68 BPM | ||
4 Impromptus, Op. 90, D.899: No. 4 in A Flat Major: Allegretto | Franz Schubert, Radu Lupu | A♭ Major | 0 | 4B | 125 BPM | ||
6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74] | Franz Liszt, Joseph Banowetz | G Minor | 0 | 6A | 96 BPM |
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