"Maracatu de chico rei: IV. Dance of the Three Macotas (Allegro moderato)" by Francisco Mignone, Orquestra Sinfônica do Estado de São Paulo, John Neschling had its release date on December 1, 2004. The duration of This song is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. Maracatu de chico rei: IV. Dance of the Three Macotas (Allegro moderato)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Francisco Mignone, Orquestra Sinfônica do Estado de São Paulo, John Neschling's "Mignone: Festa Das Igrejas / Sinfonia Tropical / Maracatu De Chico Rei" album is number 9 out of 14. On top of that, Sweden appears to be the country where this track was created. In terms of popularity, Maracatu de chico rei: IV. Dance of the Three Macotas (Allegro moderato) is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Maracatu de chico rei: IV. Dance of the Three Macotas (Allegro moderato) by Francisco Mignone, Orquestra Sinfônica do Estado de São Paulo, John Neschling to be Moderato (at a moderate speed) because the track has a tempo of 117 BPM, a half-time of 58BPM, and a double-time of 234 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Berceuse in D Flat Major, Op. 57 | Frédéric Chopin, Nelson Freire | B♭ Major | 1 | 6B | 85 BPM | ||
Canción | Manuel de Falla, Javier Perianes | C Minor | 0 | 5A | 76 BPM | ||
Moderen (The Mother), Op. 41, FS 94: Tagen letter (The Fog is lifting) | Carl Nielsen, Ensemble MidtVest | C Major | 0 | 8B | 110 BPM | ||
Cello Sonata in B-Flat Major, Op. 46: II. Andante sostenuto | Louise Farrenc, David Berlin, Benjamin Martin | E♭ Major | 0 | 5B | 116 BPM | ||
Mendelssohn: Song Without Words in D Major, Op. 109, MWV Q34 | Felix Mendelssohn, Jacqueline du Pré, Gerald Moore | D Major | 0 | 10B | 93 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.2 in C minor BWV847 | Daniel Barenboim | C Minor | 1 | 5A | 68 BPM | ||
Estudo No. 2, Seresteiro | Francisco Mignone, Fabio Zanon | A Major | 0 | 11B | 81 BPM | ||
Intermezzo No. 1 | Manuel Ponce, Simon Ghraichy | E Minor | 1 | 9A | 67 BPM | ||
3 Preludes and Fugues, Op. 16: No. 2. Prelude and Fugue in B-Flat Major | Clara Schumann, Jozef De Beenhouwer | B♭ Major | 0 | 6B | 100 BPM | ||
Sonata for 2 Pianos in D Major, K. 448/375a: II. Andante | Wolfgang Amadeus Mozart, Ingrid Haebler, Ludwig Hoffmann | G Major | 0 | 9B | 110 BPM |