Amrita Chaturvedi, Upadhyay made "Jay Ram Sada Sukhdham Hare-Shriram Stuti-Lankanand" available on April 16, 2024. With this song being about 5 minutes long, at 5:27, "Jay Ram Sada Sukhdham Hare-Shriram Stuti-Lankanand" by Amrita Chaturvedi, Upadhyay is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 9 in the song's album "Shri Ram Stuti Collection-Ramcharitmanas". In this album, this song's track order is #7. Furthermore, we believe that the track originated from India. In terms of popularity, Jay Ram Sada Sukhdham Hare-Shriram Stuti-Lankanand is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Jay Ram Sada Sukhdham Hare-Shriram Stuti-Lankanand by Amrita Chaturvedi, Upadhyay having a BPM of 92 with a half-time of 46 BPM and a double-time of 184 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
C Minor is the music key of this track. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sudarshan Kavach | Hiren Khakhi | C Major | 3 | 8B | 142 BPM | ||
Piya Nainan Me Rakhu | Indresh Upadhyay | C Minor | 6 | 5A | 100 BPM | ||
Usha Sukta, Pt. 2 | Ved Vrind | A Major | 5 | 11B | 101 BPM | ||
Namaste Narasimhaya | Bhakti Marga Music, Bhavani | D♭ Major | 7 | 3B | 108 BPM | ||
Shri Radha Naam Jaap | Mira_Audios | F Major | 4 | 7B | 90 BPM | ||
De Ashish | Kumaar Sanjeev, Amol Bavdekar | F♯ Minor | 5 | 11A | 112 BPM | ||
Vande Krishnam | Mayuri Gandharvika | B♭ Minor | 4 | 3A | 100 BPM | ||
Trinity | Rachanaa Jain | C Major | 6 | 8B | 135 BPM | ||
Karpurgauram Karunavataram-Shiv Shloka | Amrita Chaturvedi, Upadhyay | F♯ Major | 5 | 2B | 126 BPM | ||
Lavthavti Vikrala Shiva Aarti | Sandy, MBP | E♭ Major | 1 | 5B | 178 BPM |
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